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With $10,000 in grant money from the Altman Foundation, used mostly for props, salaries and administrative overhead, Christensen and the Big Apple Circus designed a five-week pilot program. As he tuned in to the needs of his new audience, Christensen made changes in his timing and toned down his circus-arena makeup and gestures to suit the bedside. Perhaps the most daunting hurdle was earning the respect and support of the medical staff. "They had to accept that we were there as part of their world," he says...

Author: /time Magazine | Title: New York City Treating The Funny Bone | 11/5/1990 | See Source »

...program's hugely successful trial period, Christensen and the circus had no trouble finding further funding from a number of local and national foundations and corporations. He recalls only one voice of opposition. "A hospital staff member once said, 'Clowns don't belong in the Intensive Care Unit.' So I said, 'Neither do children...

Author: /time Magazine | Title: New York City Treating The Funny Bone | 11/5/1990 | See Source »

Often it's just as important to reach the parents as it is to entertain the youngsters. One morning Christensen peeked into a floor lounge and saw a woman sitting in a chair, reading a magazine; a man -- perhaps her husband -- was on the couch, intent on a novel. Stubs asked gently, "Mind if I come in? I need to catch up on some paperwork." He sat on the couch and starting ripping sheets of legal paper off a pad, crumpling them up and stuffing them into his doctor's bag. He soon piqued the adults' curiosity. "Office work...

Author: /time Magazine | Title: New York City Treating The Funny Bone | 11/5/1990 | See Source »

...course, the clowning isn't always well received. When leading a visitor into one Babies Hospital room, Christensen was greeted with frantic wails. Coattails flying, he rushed out of the room. "That's my cue to leave," he explained. And as with any audience, some patients just refuse to see the humor. Christensen once paid a call on a teenage boy who was sitting by a window with his head lowered. He kept it down as Stubs conducted his exam. "I asked, 'Have you ever had your funny bone examined?' " Christensen recalls. "He said nothing. 'Does your nose ever turn...

Author: /time Magazine | Title: New York City Treating The Funny Bone | 11/5/1990 | See Source »

...Christensen tries not to let the occasional rejection deter him. "I can hear no, see no, in someone's face," he says. "I don't have to push to make it a yes. That's not my job." He says he learned an important lesson from his dying brother: "My responsibility was not to save him but to love him and give what I could. My responsibility is to love the children, to give joy and celebration, not to make them accept it. That's their choice." Fortunately for all concerned, most do accept the gentle medicine of Dr. Stubs...

Author: /time Magazine | Title: New York City Treating The Funny Bone | 11/5/1990 | See Source »

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