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...technique." The Royal Ballet? "Too tradition-bound." The Bolshoi? "Too obsessed with characterization and athletics." The Kirov? "The finest in the world." Balanchine? "The greatest influence on ballet and dance in the Western world. He is pushing forward." So says the San Francisco Ballet's Lew Christensen, who in his 17 years in San Francisco has developed his company into one of the most versatile anywhere, and second only in the U.S. to George Balanchine's New York City Ballet...

Author: /time Magazine | Title: Dance: Dash & Control | 3/5/1965 | See Source »

Graceful Combat. Though he acknowledges his allegiance to Balanchine, Christensen's distinctive trait as a choreographer is that he has no readily identifiable style, prefers to let the subject define the method. Last week the San Francisco Ballet shoved off on a two-month cross-country tour with two new Christensen ballets-Lucifer and Life: A Do-It-Yourself Disaster-prime examples of the diversity that has become the company's trademark...

Author: /time Magazine | Title: Dance: Dash & Control | 3/5/1965 | See Source »

Brother Act. Christensen, 55, studied "fancy dancing and social deportment" as a child in Brigham, Utah. At the urging of a balletomane uncle, he and his two elder brothers, William and Harold, formed a dance team and toured the vaudeville circuit as "the Christensen Brothers." Then came a four-year tour of duty as an infantryman in World War II, and Lew returned to find himself too stiff-muscled to dance. He turned to choreography and in 1948 took over the reins of the San Francisco Ballet from his eldest brother William, who had headed the company for a decade...

Author: /time Magazine | Title: Dance: Dash & Control | 3/5/1965 | See Source »

...oldest (founded in 1933) classical ballet, the troupe has never known the security of a permanent home. They have to squeeze in performances at the opera house between operas or at downtown theaters between touring shows. "San Francisco is simply not a red-hot ballet city," explains Christensen. Still, fueled by a steady stream of talent from the first-rate San Francisco Ballet School, operated by Christensen's brother Harold, the company has maintained an enviable standard of vitality and exuberance...

Author: /time Magazine | Title: Dance: Dash & Control | 3/5/1965 | See Source »

First, Columbia Captain Arnie Lesser downed Mike King 6-2 at 130, and Chuck Christensen shut out Jack Linn of Harvard 4-0. The Crimson's Howie Durfee, leading 4-3 in the second period of his 147-pound match with Larry Nelson of Columbia, lost a point on a toe-hold penalty that tied the score. Nelsen escaped in the third period to hand Durfee a 5-4 loss, his first since he returned to the Harvard team after vacation...

Author: NO WRITER ATTRIBUTED | Title: Championship-Hungry Lions Beat Harvard Matmen 18-9 in New York | 2/15/1965 | See Source »

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