Word: christoph
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...Italian Europeans who will be given consideration. GODFRIED CARDINAL DANEELS, 71, Archbishop of Mechelen-Brussels, Belgium, is an intellectual and a moderate, bordering on being a progressive. He has called for compassion for those who divorce and remarry and has urged a greater role for the laity, including women. CHRISTOPH CARDINAL SCHONBORN, Archbishop of Vienna, is regarded in Rome as a brilliant conservative theologian and a smooth parish leader. He was well placed in life to become both: he studied theology under Cardinal Ratzinger, who will surely argue Schnborn's case before the conclave, and is the third Cardinal...
...group would have liked to see the EPO discontinue its practice of issuing patents for mammals, Greenpeace spokesperson Christoph Then wrote in an e-mail...
While some of America's staunchest supporters find themselves wondering if the U.S. still stands for the values that made them fall in love with it 60 years ago, many Europeans remain willing to look for hopeful signs of rapprochement. Christoph Bertram, director of the German Institute for International and Security Affairs, thinks "we now have an America that needs allies and is much more aware of it." The battle for their hearts and minds is far from over. --With reporting by John F. Dickerson/Washington, James Graff/Paris, Jeff Israely/Rome, Andrew Purvis/Vienna and Charles P. Wallace/Berlin
...CHRISTOPH FRANZ High Flyer Swiss International Air Lines, successor to the defunct Swissair, has been flying low since it took off in 2002. The unprofitable carrier is seeking to get lift from its new CEO, Franz, 44, who most recently worked at the German railway Deutsche Bahn. But it was Franz's track record at Lufthansa that put him in the Swiss pilot's seat. In the early 1990s, Franz helped then CEO Jurgen Weber free the German carrier from high labor costs and years of losses. Lufthansa tried and failed to grab Swiss late last year...
...Christoph Willibald Gluck (1714-1787) was represented by his “Di questa cetra” from Il Parnasi confuso which exhibited Bartoli’s sublime command of mellifluous and seamless tonal transitions and passages that hovered and drifted weightlessly through her listeners, lingering hauntingly in the air. The latter half of the concert was comprised of eleven pieces by Antonio Salieri (1750-1825) drawn from La fiera di Venezia, Armida, La secchia rapita, La finta scema, La scuola de’ gelosi, Palmira, Regina di Persia, and La cifra...