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...Christoph Probst, a student and anti-Nazi, wrote to his mother: "I thank you for having given me life," and to his sister: "I never knew that dying is so easy . . I die without any feeling of hatred...

Author: /time Magazine | Title: Books: Fifty-Seven Martyrs | 6/18/1956 | See Source »

...composers whose names adorn the proscenium arch of the Metropolitan Opera, Christoph Willibald Gluck is the oldest (1714-87), the least honored, the least sung.* Four of his 42 operas have been performed at the Met, but only at very rare intervals. Last week Gluck's Alcestis got a performance that restored some of the proper shine to his name...

Author: /time Magazine | Title: Music: Alcestis' Return | 3/17/1952 | See Source »

...Admetus powerfully, if not always as cleanly as the classical style demands. The staging was a trifle fussy, and the corps de ballet postured like so many figures on a Grecian urn. But alongside the triumphs of the performance, the defects were minor. Top honors: Kirsten Flagstad and Christoph Gluck...

Author: /time Magazine | Title: Music: Alcestis' Return | 3/17/1952 | See Source »

...Childhood of Christ," by Johann Christoph Bach, featured four superb soloists backed up by a fine orchestra-chorus combination. Conductor Alfred Patterson obviously had his musicians well trained; the attacks were accurate and confident, and balance between singers and orchestra came pretty close to perfection. The outstanding soloist was tenor Oscar Henry, whose strong but subdued voice sounded good, despite the sore throat he had to combat...

Author: By Lawrence R. Casler, | Title: The Christmas Concert | 12/14/1951 | See Source »

...girl, France's Queen Marie Antoinette took music lessons from Composer Christoph Gluck, may have tried her hand at composing herself. One little number, Chanson de Marie Antoinette, based on a melody supposedly by the Queen, has long been part of the standard vocal repertory. Last week, revarnished and renamed My Heart Cries for You, the Chanson had become 1951's first big hit. Its sprightly tempo had been slowed by Conductor-Composer Percy Faith to a lazy waltz, and its elegant tale of pastoral courtship changed to a monotonous lover's lament.* Result: the song...

Author: /time Magazine | Title: Music: New Pop Records, Jan. 22, 1951 | 1/22/1951 | See Source »

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