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Word: chromaticism (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

The extremely chromatic harmony, which in Strauss' tone poems often becomes banal and boring, hardly ever ceased to be interesting during Thursday's "Salome." Credit for this, belongs largely to Conductor Reiner. His interpretation was characterized by careful restraint, with the result that the final climaxes were completely overpowering.

Author: By Farnsworth B. Leeuwoenhoek, | Title: The Music Box | 3/26/1949 | See Source »

Chromatic Wonderland. Though Schoenberg, along with his fellow Southern Californian, Igor Stravinsky, is one of the great musical innovators of modern times, few listeners are ready yet to say that they really like Schoenberg's ear-hurting music-and certainly no one is whistling any of his tunes. Forty...

Author: /time Magazine | Title: Music: Destiny & Digestion | 11/15/1948 | See Source »

* In which all twelve tones of the chromatic scale (the white & black keys in an octave on the piano) are arranged in a "row" in a highly formalized pattern. "Atonal" ( a term often loosely applied to Schönberg, in spite of his protests) means music in which the traditional...

Author: /time Magazine | Title: Music: Twelve-Toner | 5/31/1948 | See Source »

Whether the composer adhered in this one movement Trio to the twelve-tone system or strict atonality seems no longer relevant, for this system is essentially something that merely schematizes a texture common to a variety of chromatic music written today. Chromaticism is merely one of several formulae conducive to an additive set of interrupted expostulations. And what we have, then, is not one work of art, but several, minute fragmentary ones. Only at fleeting instances when Schoenberg suddenly gave symmetry to his expression did its mastery and genius drive home to this prejudiced listener...

Author: By Arthur V. Berger, | Title: The Music Box | 5/2/1947 | See Source »

Lauritz Melchior, great Dane of the Metropolitan Opera, sang Open the Door, Richard on a Kay Kyser radio show and got a chromatic catcall from the president of the National Association of Schools of Music for "debasing his art." Pooh, retorted jovial Heldentenor Melchior. If the musical stuffed shirts wanted...

Author: /time Magazine | Title: People: Words & Music | 3/10/1947 | See Source »

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