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Word: chuckly (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...great 19th century French realist Gustave Courbet once said that an artist ought to be able to render something--a distant pile of sticks, say, in a field--without actually knowing what it was. The hyperrealist Chuck Close has gone one better than that. In 1971 he painted the face of his father-in-law Nat Rose. The huge, minutely detailed likeness was bought by a Maryland collector who lent it to the Whitney Museum in New York City. There it was seen by an ophthalmologist who, not sure whether he was intruding or not, got a message to Close...

Author: /time Magazine | Title: Art: Close Encounters | 4/13/1998 | See Source »

Margaret suffers from chronic brain seizures,crippling her ability to work. Her first attack,in 1995, came the day before her son's birthdayparty at Chuck E. Cheese...

Author: By Joshua L. Kwan, CRIMSON STAFF WRITER | Title: Recipients Adapt to Welfare Reform | 4/1/1998 | See Source »

...tough for a kid pitcher these days just to watch ESPN," Anaheim ace Chuck Finley said. "All they show are guys hitting balls where no one has hit them before. They show them bouncing into fountains and stuff. This is not a good time to be a bad pitcher...

Author: NO WRITER ATTRIBUTED | Title: HIGHLIGHTS | 3/31/1998 | See Source »

...married into the old money and Virginia politics of the Willey clan. Her father-in-law, one of the state's most powerful legislators, did not approve of the match, but her husband Ed loved her. Willey spent many of her married years working on Democratic campaigns, including Chuck Robb's senatorial bid and several of Governor Douglas Wilder's campaigns. As part of the constant round of political giving and receiving, Kathleen Willey met Clinton, then Governor of Arkansas, at a 1989 Charlottesville fund raiser. At a party following the 1992 presidential debate in Richmond, Willey was excitedly introducing...

Author: /time Magazine | Title: The Lives Of Kathleen Willey | 3/30/1998 | See Source »

...performances, originally recorded between 1936 and 1939, have a sober grandeur that continues to seize and hold the ear six decades later; the Rostropovich set, recorded in 1991, is a larger-than-life exercise in musical oratory that bears the same relationship to "normal" cello playing that one of Chuck Close's jumbo portraits does to a black-and-white snapshot. Ma's strong, sensitive playing falls somewhere between these two expressive poles, but it isn't a matter of splitting the difference: each set is a priceless document...

Author: /time Magazine | Title: Music: At The Top Of His Powers: Yo-Yo Ma | 3/23/1998 | See Source »

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