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...consistent use of fuzz second, and often third guitar betrays the influences of Moby Grape. Chug All Night" exhibits Eagles best use of guitars. The fuzz guitar was a Grape trademark, and the use of three guitars on the break solidifies the connection. (The use of rhythm guitars for percussive or rhythmic uses, rather than to achieve the effect of horns, is a purely West Coast rock phenomenon. Part of the Grape's appeal was their tendency to fill the sound with guitars.) The album's only real rocker, its strength is in the basic progression...

Author: By Frederick Boyd, | Title: Take it Easy, But Take it From Somewhere | 10/5/1972 | See Source »

High Gloss. As a choreographer, Champion is admirably disciplined. The execution is flawless, but Champion's dance imagination is rigid. He favors locomotive choreography in which the chorus chug-chug-chugs around and occasionally wigwags its outstretched arms semaphore-fashion. This is fine for motion, but scanty of meaning. The dances could be inserted in another musical, where they would mean no more and no less than they do in Sugar...

Author: /time Magazine | Title: SUGAR: The Girls in the Band | 4/24/1972 | See Source »

TIME Correspondent Timothy Tyler last week talked with Chug Utter, a Nevada mustanger who in 20 years has "gathered" 40,000 wild horses, and in whose pen Rocky awaits his fate. Chug remembers flying over wild herds in a light plane and using a "four-ten sawed-off shotgun just to spook 'em. We also used an electric shocking machine, but we didn't harm 'em. That's all poppycock." Anyway, says Chug philosophically, "there's only one end to being a horse, whether he's a champion race horse or a plug...

Author: /time Magazine | Title: Environment: The Fight to Save Wild Horses | 7/12/1971 | See Source »

...best, pop literature provides a set of tracks along which the reader's fantasies can chug-chug-chug and toot-toot-toot. Len Deighton or Harold Robbins or Erich Segal paints up a few props as passive scenery-model villages with lifelike residents, a plaster panther forever in the act of springing-and the reader's imagination makes it all real. Oliver Lange, for example, posits a brief, one-sided and almost painless Russo-American war-Washington is taken, and that's about it. Afterwards, the Soviets occupy...

Author: /time Magazine | Title: Books: And Quiet Flows the Pecos | 3/1/1971 | See Source »

...teens they prized autos that could chug along at barely one-mile-an-hour so they could flirt with walking girls. In the '20s they flaunted hip flasks, wore raccoon coats, necked in rumble seats, and said, "excuse my dust." In the '30s they sat on flagpoles, danced marathons, leaned on WPA shovels and attended Pink meetings. In the '40s they ate live goldfish and carried books to avoid carrying rifles. In the '50s they staged panty raids, crowded 18 into five-passenger cars, burned rubber and played chicken. In the '60s they let their...

Author: /time Magazine | Title: Letters: Nov. 23, 1970 | 11/23/1970 | See Source »

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