Word: chytilova
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...that microcosm of human action a portrait of the social reality as a whole" This accounts for the political dimension of a film with an apparently nonpolitical subject, such as Firemen's Ball, 1968. Others, like Jaromil Jires (The Joke, 1968) preferred social analysis and political generalizations, while Chytilova's Dazies or Nemec's Report on the Party and the Guests are philosophical tales in the Voltairian sense of the word...
...Main Street, (Jan Kadar), The Cowards (Jiri Weiss) Nov. 30, at 7:30, $2, Fireman's Ball (Milos Forman) Intimate Lighting (Ivan Passer), Dec. 1, at 7:30, $2, films introduced by A. J. Liehm. Czech film critic, and discussed by the directors, The Joke (Jaromil Jires), Daisies (Vera Chytilova), Dec. 2, at 7:30, $2, series ticket...
...highly stylized film, philosophically abstract and frankly allegorical. Nemec's earlier work, such as Diamonds of the Night , lacked these elements, so much of the credit for Report must lie with co-scenarist Ester Krumbachova, who also collaborated with Nemec on The Martyrs of Love and with Vera Chytilova on the brilliant Daisies...
...same tentative, despairing quality. ("We are happy," one Mary says. "We are really and truly happy. Aren't we?" Are we really pretending?" Silence. "We are really and truly happy.") But though the Marys in Daisies share with Didi and Gogo a fundamental lack of human resonance, Chytilova's purpose has little in common with Beckett's lofty pursuit of silence. Rather Daisies is a meditation on the personal and social consequences of conspicuous consumption. Consumption is here equated with destruction (a fundamentally schizoid position--unable to deal with the world, the schizoid individual incorporates it, destroying...
...CHYTILOVA conveys this fractionalism not through camera movement or frame composition, but rather through decor and the plastic material itself. The film skips from color to black and white, to harsh grain, loud color tones, and a wide variety of tints, often making several changes within a shot. Their apartment, the creation of Krunbachova, is a patchwork of high fashion, pop art, and fin de siecle decorativism, defining their character with hundreds of faces clipped from magazine advertisements. Chytilova has further employed various complex animation techniques and frequent single framing to stress the discontinousness of her subjects experience...