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Word: cibo (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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...even be classified as vaguely enjoyable. The perky "Backstab Boofie," has a charming exuberance and, since the lyrics are quite unintelligible, is not as embarrassing to listen to as typical YES!! fare. There's nothing wrong with pithy lyrics and limited vocal abilities--check out Cibo Mat-to--but such an approach needs to be tempered by some skilled irony in the delivery. Knox takes himself so seriously that he is dragged into a pit of self-involvement from which there is no escape. Knox is clearly in trouble delivering a line like, "There's love and there's lust/and...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: Repetitive and Self-Indulgent Ramblings | 10/10/1997 | See Source »

...churning, mid-tempo guitar rock (Lennon's guitar work was blunt and unobtrusive). Ono's best moments came on Will I--a mournfully pretty spoken-word piece--and on Rising's anthemic title song. For the latter, she was joined by the Japanese-American hip-hop duo Cibo Matto, who added some energy and emotional focus (the pair also appear on an enhanced CD of Rising featuring remixes of Ono's songs as well as graphics that can be accessed via a CD-ROM drive). As the music swelled, Ono sang, "Listen to your heart/ Respect your intuition...

Author: /time Magazine | Title: MUSIC: AND YOKO'S BACK TOO! | 3/18/1996 | See Source »

...cliche that music is the universal language. Often, in fact, it is an expression of what divides us--Shania Twain and Tupac Shakur don't share much of a crossover audience. It's therefore a delight to encounter two engaging, offbeat new rap groups, the Japanese-American duo Cibo Matto and the Haitian-American trio the Fugees. Neither makes overtly integrationist music--no hip-hop covers of We Shall Overcome--but both of them cross cultural and musical boundaries to create a sound that is bold and fresh...

Author: /time Magazine | Title: MUSIC: NOT YOUR FATHER'S HIP-HOP | 2/12/1996 | See Source »

...Cibo Matto's blissfully oddball music, by contrast, is free of any overt social agenda. The duo's impressive debut album Viva! La Woman is a seductive mix of hip-hop beats, jazzy instrumentation and goofy yet provocatively surreal lyrics. "The velocity of time turns her voice into sugar water," sings lead vocalist Miho Hatori on the genially bizarre Sugar Water. Food--apples, artichokes, white-pepper ice cream, beef jerky--is the album's constant, almost perverse preoccupation. "When Miho and I used to hang around before we started this band, we became close friends because we love...

Author: /time Magazine | Title: MUSIC: NOT YOUR FATHER'S HIP-HOP | 2/12/1996 | See Source »

...everyone will relate to updating Sammy Davis Jr.'s schmaltzy Candy Man, but Cibo Matto puckishly turns it into an eerie, atmospheric dirge. Like the Fugees, Cibo Matto provides a twist on rap, a genre in which groups seem to have the shelf life of yogurt. No need to try to identify the taste--from Tokyo or Trenton or Port-au-Prince. As Hatori sings on Cibo Matto's Birthday Cake: "Shut...

Author: /time Magazine | Title: MUSIC: NOT YOUR FATHER'S HIP-HOP | 2/12/1996 | See Source »

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