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Before Sophia Loren agreed to make El Cid in Spain, she demanded everything from a $200-a-week hairdresser to a $200,000 salary for ten weeks' work. Producer Samuel Bronston obliged. But Sophia has now filed furious suit against Bronston Productions Inc. in New York State's Supreme Court, charging a grievous breach of contract. On a 600-sq.-ft. billboard facing south over Manhattan's Times Square, Sophia Loren's name appears in illuminated letters that could be read from an incoming liner, but-Mamma mia!-that name is below Charlton Heston...

Author: /time Magazine | Title: Egos: Watch My Line | 1/5/1962 | See Source »

...Cid. The Spanish Lancelot, hero of the wars against the Moors, is celebrated in the year's best superspectacle, directed by Anthony Mann...

Author: /time Magazine | Title: Time Listings: Jan. 5, 1962 | 1/5/1962 | See Source »

...CID. Samuel Bronston, who produced the year's most embarrassing epic (King of Kings), also produced its only satisfactory superspectacle-thanks principally to Director Anthony Mann...

Author: /time Magazine | Title: Cinema: THE BEST PICTURES OF 1961 | 12/29/1961 | See Source »

Ballads by the bushel have since embellished the fame of El Cid. Pierre Corneille made him the hero of France's first great play, Le Cid. Jules Massenet turned the play into an opera. And now Samuel Bronston. who recently made an appalling spectacle of the life of Christ (King of Kings), has produced the first film version of the legend. Inevitably, the picture is colossal-it runs three hours and 15 minutes (including intermission), cost $6,200,000, employs an extra-wide widescreen, a special color process, 7,000 extras, 10,000 costumes, 35 ships, 50 outsize engines...

Author: /time Magazine | Title: Cinema: A Round Table of One | 12/22/1961 | See Source »

...forced to seek revenge. So much for Corneille. From there out, Yordan collects vivid scraps of incident from the teeming, demi-mythological Matter of Spain, and patches together an opulent tapestry of medieval legend. In its final moment, the film rises to a vision of chilling weirdness as El Cid. strapped dead to his great white steed Babieca, looms above the field of his last dim battle and, scattering the heathen like smoke before the gale of destiny, rides thundering into Aceldama and the ages...

Author: /time Magazine | Title: Cinema: A Round Table of One | 12/22/1961 | See Source »

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