Word: ciel
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...lago was a virile, magnetic figure, believable as a military officer, charming when he needed to be, capable of holding his twisted, demonic drives in check with a keen intelligence. No moment in the opera was more splendidly sung or powerfully acted than the second act S i, pel ciel, with Otello looming over him with upraised hand, like a malign marionette master. In this scene Verdi transcended Shakespeare, said Shaw. Watching Domingo and Milnes, one could only agree...
...ciel is one of the biggest climaxes in a score that sometimes seems to be nothing but climaxes. But Verdi and Librettist Arrigo Boito knew that after the massive choral scene in Act III, enough was enough. Hence the rightness of the subdued, wistfully melancholy fourth act, a sort of spacious postlude. This act is Desdemona's great moment. Soprano Gilda Cruz-Romo made the most of it, although in the earlier acts her singing had somewhat lacked color and shading. Poignant and dignified, she spun out the Willow Song and Desdemona's final prayer in long, crystalline...
...Equal Rights Amendment could be the turning point of whether family life, as we know it, will survive." Indeed, the referendum took on the trappings of a morality play pitting housewife against feminist. "The women's movement did a lot of good things in the '60s," said Ciel Herman, a Levittown, N.Y., housewife who opposed ERA, "but they neglected the majority of women who are homemakers and mothers. I don't want all women who stand by the sink to be taken out of the textbooks...
...scene is the new exurbia outside Paris, where a saucy mini-gratte-ciel apartment building full of affluent city commuters not only scrapes the sky but rubs nearby villagers and the demoralized peasantry the wrong way. Henri Castang, Freeling's new sleuth, is a low-key public servant who, like Van der Valk, cites Proust and Dickens without sounding pretentious...
...dirty trick to play on the unfortunate hornist, but it is a common enough practice, and this particular player was not up to it. He also succeeded in spoiling a large part of the orchestral accompaniment to the soprano in the Beethoven aria Primo amore, piacer del ciel. In the second half of the minuet in Haydn's Symphony No. 14, he not only had trouble in playing the correct intervals, but also played sharps where they were not written...