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...movies beginning with H-The Hustler, Hud, Harper. In Hombre, the H is silent and so, almost, is the star. With a voice that only on occasion rises to a monotone, he grunts his unrelenting hatred of the world. Caucasian by birth but raised by Indians-possibly the cigar-store kind, judging by the immobility of his features -he has suffered at the hands of both. One white man who has certainly made him suffer is Martin Ritt, the film's director...

Author: /time Magazine | Title: Cinema: What the H | 3/24/1967 | See Source »

...Good Man, Charlie Brown. The U.S. comic strip has often mimicked and miniaturized the battle of the sexes. In Bringing Up Father, the explosively frustrated, cigar-chewing Jiggs is tamed by the shrew Maggie. In Blondie, the hapless, incompetent Dagwood is forever being put to rights by his cool, frizzy-haired wife. In Peanuts, Charles M. Schulz defined and some what disguised the process by finally reducing the American male to his supposedly intrinsic childishness...

Author: /time Magazine | Title: Theater: Good Grief | 3/17/1967 | See Source »

...described as a sultry brunette who spoke in silent-movie captions ("Mon Dieu, you ugly man! Tell me why you are such a fool!"). In this film, she is introduced as the svelte blonde secretary of an oil magnate who maintains his executive offices in a private jetliner. "Your cigar, sir," murmurs Irma (Elke Sommer), as she extracts a plump Corona from her ruffled cigarter. The boss lights up, draws deep, looks faintly startled as the cigar explodes a .38 slug that rips through the back of his throat and severs his spine...

Author: /time Magazine | Title: Cinema: Dulldog HumDrummond | 3/10/1967 | See Source »

Britain's Bulldog picks up the lady's scent when she arrives in London to collect her fee from the late magnate's chief competitors. She offers him a cigar; this time it is too slow on the draw, and Drummond tails her to a rendezvous with her boss, the inevitable master criminal. In his previous incarnations, Carl Petersen was presented as a fiend "whose inhuman calm acted on Drummond like a cold douche"; in this film, he is introduced as an Oilfinger (Nigel Green) who extorts a tribute of terror from the big petroleum cartels...

Author: /time Magazine | Title: Cinema: Dulldog HumDrummond | 3/10/1967 | See Source »

Leone thrusts this hero forward insistently. The camera is tight on Clint Eastwood as he chews his cigar, clips a sentence, tips his hat, swallows soup. The concentration creates a giant out of a so-so Rawhide type. At the final confrontation with his enemies, Eastwood appears out of a cloud of dynamite dust...

Author: By Joel Demott, | Title: A Fistful of Dollars | 3/7/1967 | See Source »

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