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Word: cimino (lookup in dictionary) (lookup stats)
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Margaret M. Cimino '87 is semi-conscious--able to respond to requests to lift a finger--said spokesman Kelly Anthony of Yale-affiliated St. Raphael's Hospital...

Author: By Heather M. Townsend, | Title: Freshman Injured at Yale Still in Critical Condition | 11/22/1983 | See Source »

...ambulance carrying the unconscious body of Margaret M. Cimino '87 whizzed by. In almost slow motion, two red shirted Harvard students ran after her through the parking lot. Their hands were stained with blood, and, as they ran, some dripped on the ground and the parked cars...

Author: By Michael W. Hirschorn, | Title: Red on Crimson | 11/21/1983 | See Source »

...only recent movie to focus on make camaraderie. In Barry Levinson's Diner, an impending marriage highlighted the special attraction of a night spent with fries, gravy and the boys. In Michael Cimino's The Deer Hunter, the soon to-be soldiers played pool, got drunk and sang "You're Too Good To Be True" before they headed to Vietnam. For their part, Kaufman's astronauts make imaginary planes with their hands and provide their own sound effects. Then they risk their lives to test an aircraft, break the sound barrier or orbit the earth...

Author: By Richard J. Appel, | Title: High Flying Heros | 10/29/1983 | See Source »

...because he is disciplined. He always understood life in terms of will and courage and manliness, and now he saves himself and his friends. He forces his superior ethic on his companions, inspiring them to develop the grit and sacrifice necessary to survive. The way director Michael Cimino sets things up, it's understood that they will win DeNiro always is a winner, and here with his boy's-book sensibility and see-to-shining-sea masculinity among the racially-stereotyped Vietcong it's just another case of manifest destiny...

Author: By F. MARK Muro, | Title: DeNiro | 10/15/1981 | See Source »

...LAST FIVE YEARS, THE cinematic treatment of war has been anything but regular. In Coming Home war was a sociological case study. Michael Cimino attempted in The Deerhunter to create a charged-up folk tale complete with Robert DeNiro as an MIG-toting ubermensch. And in Apocalypse Now Francis Ford Coppola made war something mythic; something so big and so surreal that one wondered who was playing The Ride of the Valkyries after all. But in Australian director Peter Weir's Gallipoli, there is something of a retrenchment, at least intellectually. In the movie, war does not get treated...

Author: By Daniel S. Benjamin, | Title: The Runners Stumble | 10/7/1981 | See Source »

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