Word: cin
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Dates: during 1960-1969
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Meanwhile, a pictorial record of what was allegedly the real thing is on display in Revolution, a cinéma vérité documentary made on the San Francisco scene last summer. There is acid rock by such groups as the Quicksilver Messenger Service and Mother Earth. There are shots of long-haired nymphets looking stoned, solemn interviews with cops, doctors, and headshrinkers about the dangers of drugs, and interminable expositions of hippie philosophy by unbathed gurus. Apparently for the benefit of grind-house voyeurs, there is also some totally nude choreography-filtered through eye-blasting psychedelic lighting-danced...
Under Bazin's guidance, Truffaut quickly stabilized and began to write film criticism for Cahiers du Cinéma, the recondite French movie journal that then housed such nouvelle vague cineasts as Jean-Luc Godard and Claude Chabrol. Truffaut proved so corrosive a critic that in 1958 he was banned from the Cannes Film Festival and forced to snipe at targets he could not see. What he could see, however, was Madeleine Morgenstern, daughter of a film executive whose products had received Truffaut's hardest knocks. After they were married, Truffaut continued his criticism, this time...
...skin on baloney." There is still plenty of machinery out there putting skin on baloney. But the most important fact about the screen in 1967 is that Hollywood has at long last become part of what the French film journal Cahiers du Cinema calls" the furious springtime of world cin ema," and is producing a new kind of movie...
...BATTLE OF ALGIERS. A cinéma-vérité-style recounting of the Algerian guerrilla war against the French during the '50s, in which Italian Director Gillo Pontecorvo has used not one frame of actual documentary film footage, yet manages to make the movie explosively real...
...that one blow the barricades fell, and the avant-garde came storming through. Robert Downey's Chafed Elbows, the shaggy-surreal saga of a Village idiot who hopes to get rich quick by persuading female midgets to use contact lenses as contraceptives, opened in a Lower East Side cin bin that was soon crammed by the cab trade from uptown. And Shirley Clarke's Jason, a harrowing 120-minute interview with a black male prostitute, was offered a midtown opening as a hard-eyed cautionary tale and a surefire succes de scandale...