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...record of the journey is Glen and Randa, a primitive, desperate odyssey by the last bewildered survivors of an atomic holocaust, stumbling through the wreckage of a vanished civilization. Neither moralizing sci-fi nor melodrama, despite its fanciful premise, the film is rather like a cinéma vérité doomsday documentary-a parable in newsreel form...

Author: /time Magazine | Title: Cinema: Primitive Odyssey | 6/14/1971 | See Source »

Even thus threatened, Tiomkin stands firm in the camp of cinéma nonvérité. "We're not doing an étude of complex homosexualist for small audience," he says. "We're aiming at a mass audience. We want to give a little bit picture of the man, to give overall feeling that's very melodious...

Author: /time Magazine | Title: Show Business: Wahnderful Tchaikovsky | 4/27/1970 | See Source »

...couple King chose for his cinéma vérité exegesis had been his friends for almost five years. Billy Edwards, 42 years old, is a Toronto adman who had just moved into a cushy suburban-modern house with his wife Antoinette, their infant son Bogart and the family dog, Merton. A cinematographer and a soundman, under King's direction, spent ten weeks in the Edwards' home, arriving before breakfast and not leaving until everyone had gone to bed. They filmed everything: meals and holidays, affection and indifference, disagreements and brawls. The result is a perfect...

Author: /time Magazine | Title: Cinema: Dissection of a Marriage | 1/26/1970 | See Source »

...royal couple themselves suggested that the BBC and commercial British television might like to film an intimate picture of them en famille. This result was edited from almost a year's shooting, and shows Queen Elizabeth, Prince Philip and the young royals behaving with cinéma vérité candor...

Author: /time Magazine | Title: Television: Sep. 19, 1969 | 9/19/1969 | See Source »

...their search for "truth," Hoffman and Gordon have come up with a new genre, a kind of cinéma mendicité that conveniently allows them to put a lot of gullible egomaniacs through their paces and exploit them at the same time. As might be expected from men of such scruples, the resultant film is tacky and insufferably condescending. It invites audiences to laugh at a pathetic, driven man, while the real clowns peek out from behind the cameras...

Author: /time Magazine | Title: Cinema: Faking It | 5/16/1969 | See Source »

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