Word: cincinnati
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Dates: during 1950-1959
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Best index of the great popularity of the medium, until a decade ago all but abandoned by artists, is the Cincinnati Art Museum's biennial color lithography show. First held in 1950 with 235 works from 14 countries, the show this year boasted 426 lithographs by 275 artists in 32 countries. Sixty-seven of the lithographs from the Cincinnati show are now on view at Grand Rapids (Mich.) Art Gallery, will tour other U.S. museums until September...
...Cincinnati's museum discovered, such bargain art sells right off the walls. During its seven-week exhibit, more than 300 lithographs were sold. Most popular: Cranes in the Moonlight by Japan's leading lithographer, Yoshinobu Masuda, 51, and Zebras, by Swiss Painter Hans Erni. What gladdens lithograph fans most, however, is that the current boom is matching quality with quantity. Not since the days when such lithographers as Toulouse-Lautrec, Bonnard, Vuillard and Signac were at work has the outlook been so bright. Says Cincinnati's Print Curator Gustave von Groschwitz: "The current boom will equal...
...today, Brooklyn 4 to 1 over Milwaukee. Cincinnati...
Milwaukee 7, Cincinnati...
Anything Goes. Cincinnati, meanwhile, recovered from an almost fatal 8-0 whipping by the Giants, scuttled the Pirates 6-4 and stayed within a long reach of the pennant. The Dodgers finished the week with two squeakers against the cellardwelling Chicago Cubs. But they managed to win both, despite umpires dedicated to the proposition that in a stretch drive anything goes. In the first inning of the second game, Chicago's Don Hoak broke up a double play with a spikes-first slide at Junior Gilliam, standing a "safe" two yards off the bag. Manager Alston was too preoccupied...