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Word: cincinnati (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...Timothy T. Serey Cincinnati...

Author: /time Magazine | Title: Letters, Dec. 24, 1979 | 12/24/1979 | See Source »

Lieut. Dale Menkhaus, detailed to head a squad of 25 Cincinnati police on crowd-control assignment, sensed danger. He went looking for someone to open the doors. He found one of the promoters, Cal Levy, who told him this was not possible. The musicians had not completed their rehearsal inside the hall, and not enough ticket takers had arrived...

Author: /time Magazine | Title: Music: The Stampede to Tragedy | 12/17/1979 | See Source »

Inside the coliseum, Cincinnati Fire Marshall Clifford Drury told Who manager Bill Curbishley that the show must go on as scheduled. Drury reasoned that the crowd, which did not know what had happened at the west gate, would not sit still for a cancellation. So The Who played its standard two-hour set, and were then instructed to keep the encore short. When the four came offstage, Curbishley told them the news. Kenny Jones slumped against a wall. John Entwistle tried to light a cigarette, which shredded in his shaking hands. Roger Daltrey began to cry. Pete Townshend went ashen...

Author: /time Magazine | Title: Music: The Stampede to Tragedy | 12/17/1979 | See Source »

Some first reactions to the tragedy were full of freewheeling instant blame. A Cincinnati editor called the kids in the audience "animals." Other commentators were more thoughtful, including a cousin of one of the Cincinnati victims, Linda Mancusi-Ungaro, 18. She appeared before a public hearing in Boston that was called to determine whether the Who concert scheduled for Dec. 16 should be allowed to take place. Mancusi-Ungaro said that it should, and afterward explained why: "The Cincinnati incident was a loss, but to set a precedent for canceling rock concerts based on that tragedy would be inappropriate. Someone...

Author: /time Magazine | Title: Music: The Stampede to Tragedy | 12/17/1979 | See Source »

Fewer than 20% of the Cincinnati tickets were for reserved seats. The rest were for so-called festival seating, a sort of first-come-best-seated system that many of the country's major rock venues have long since given up as unworkable. Says Tony Tavares, director of the New Haven Coliseum where The Who will play this week: "When you sell a general admission ticket, you're challenging your crowd to get to the best seats in the house first. You're creating a system of pandemonium." New York City's Madison Square Garden, which...

Author: /time Magazine | Title: Music: The Stampede to Tragedy | 12/17/1979 | See Source »

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