Word: cincinnatis
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...Cincinnati's Negro Centerfielder Vada Edward Pinson, 21, and Negro First Baseman Frank Robinson, 23 are the two bright spots in a disappointing season for the Redlegs. An all-star high school pitcher in Oakland, Calif., Pinson has a sprinter's speed going to first (3.3 sec.), enough power to hit his share of home runs despite his lithe build (15 ft. 11 in., 170 Ibs.). Playing his first full season in the majors, Pinson leads the team in hitting (.328) and stolen bases (17), simply outruns deep fly balls. Says Manager Freddy Hutchinson: "He's already...
...MASTERPIECE need not lie behind locked doors to be effectively hidden from the public at large. The Laughing Child, one of Frans Hals's most engaging pictures, hangs on public view the year round in Cincinnati's Taft Museum. The museum in itself is a small masterpiece of selection and display, should be a mecca for the entire Midwest -yet only about 100 people visit it on an average day. (Out-of-towners automatically head for the more famed Cincinnati Art Museum instead...
Newspaper Publisher Charles Phelps Taft (half brother of the President) and his wife built their collection to fit the museum when it was still their own home, a gem of early Federal architecture on Cincinnati's Lytle Park. In 1927 they presented it intact to Cincinnati. The quiet spacious rooms are adorned but not crowded with Duncan Phyfe furniture, 200 Chinese porcelains, a top-rank selection of French Renaissance enamels, and more than 100 canvases, from Hieronymus Bosch to John Singer Sargent, all of extraordinary quality. In fact, Hals's Laughing Child is only one of a dozen...
...initials, referring to the Republican party, first came into use in the late 19th century. They have been variously attributed to an American adaptation of "Grand Old Man," affectionate nickname for Prime Minister Gladstone, political cartoonists' use of the abbreviation for convenience' sake (see cut*), and a Cincinnati Gazette printer who was short of space...
...goes only as far as Cincinnati, but there he is at last free to foliate as he pleases-and peeping through the foliage is a ripe young secretary. But the most surprising development of this renaissance is artistic. A lifelong doodler, the AWOL diplomat tries a little weekend sketching and (here we Gauguin!) is startled to find that he is an artist of astonishing power-a Rubens, perhaps, with a touch of Renoir. Within a year he is in Paris, painting his broad-hipped housemaid by day, panting for her by night. But the late-blooming bohemian's idyl...