Word: cinema
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Dates: during 2000-2009
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Sean Penn, President of the nine-person Jury at the 61st Cannes Film Festival, stood before the 2,300 cinema swells in the Lumiere Theatre this evening and told them that the top prize was awarded "unanimously": Entre les Murs, a.k.a. The Class, Laurent Cantet's affecting portrait of a Paris junior high school teacher and his restless, demanding students. Immediately a cheer went up, as Cantet, his star Francois Begaudeau and the 24 kids in the movie swarmed onstage, beaming as if they'd all graduated summa cum laude. They kept smiling through Cantet's long, fond acceptance speech...
...last day - traditionally a dumping ground - but Penn and his colleagues also saw it as a great film whose qualities could not be ignored. Penn called it "virtually a seamless film. It's everything you want film to give you." Juror Alfonso Cuaron described The Class as "high cinema you can share with a young audience...
...reviewers, there's the daily joy and slog of covering the 21 films in competition for the Palme d'Or and another 40 or so in satellite showcases. Here are critical snapshots of 10 films, from six countries, which tell more about the current, tenuous state of world cinema than the star-encrusted Hollywood fare. (Speaking of which, we went to a party last night where we both spoke at length with Mr. Eastwood, and one of us schmoozed with both halves of Brangelina...
...Oliveira carries a cane, but he uses it less for support than as a jaunty prop -twirling it, pointing it at the cheering audience - till you expect him to break into a song-and-dance routine. The cane might be a tribute to his first cinema idol, the dapper French comic Max Linder, who influenced Charlie Chaplin, Oliveira's second idol. In the audience, clearly buoyed by the old man's energy, were other distinguished directors: Cannes Jury President Sean Penn, Marjane Satrapi of Persepolis and a young pup named Clint Eastwood, who will...
...films in production. If he keeps going, and his vigor today suggests that's not a problem, he will eclipse Leni Riefenstahl (who released her last movie on her 100th birthday in 2002) as the world's oldest cineaste. And one of the most vital. "Vive le cinema!" he exclaimed before striding offstage. Oliveira is living proof that cinema is a game old men can play with agility and ageless grace...