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Word: cinema (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Bottom Line: “Apocalypto” may prove the ultimate in sanguine cinema for those who don’t find a total tally of four still-beating hearts held aloft a petrifying prospect. But if the beauty of a blood-cloud leaves you cold, or worse, slightly ill, it may prove a far less pleasing experience...

Author: By Anna K. Barnet, CONTRIBUTING WRITER | Title: MOVIE REVIEW: Apocalypto | 12/7/2006 | See Source »

...Animals and More Animals,” “To Be and To Have,” “In the Land of the Dead,” and “Every Little Thing” to the Carpenter Center’s screen. Cahiers du Cinema editor Jean-Michel Frodon introduced Philibert on the festival’s opening night, while Philibert himself took questions that night and on Tuesday, Nov. 28. Both men visited Harvard classes in the earlier in the week. In an interview, Philibert called his entry to the documentary filmmaking world...

Author: By Anna K. Barnet, CONTRIBUTING WRITER | Title: Philibert Talks Film, Frenchly | 11/30/2006 | See Source »

...France's most esteemed actors, who lent an earthy, avuncular charm to more than 125 movies over a half century; in Paris. A two-time winner of the Csar award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...

Author: /time Magazine | Title: Milestones Dec. 4, 2006 | 11/26/2006 | See Source »

...France's most esteemed actors, who lent an earthy, avuncular charm to more than 125 movies over a half century; in Paris. A two-time winner of the César award (France's Oscar), he gained global fans as a weary film projectionist in 1988's Cinema Paradiso and as the poet Pablo Neruda in the 1994 hit Il Postino...

Author: /time Magazine | Title: Milestones | 11/26/2006 | See Source »

...were visual monologues that took place inside the deranged minds of their protagonists - respectively, a math whiz obsessed by the number 216 and a heroin addict with a possessive (and understandably perplexed) mom. Instantly, anybody could see that Aronofsky was one of the few American filmmakers who saw the cinema past as a jumping-off point, not a toy store to plunder. His films were full of promise; and more, they delivered on their promises...

Author: /time Magazine | Title: I Admit It: I Liked The Fountain | 11/22/2006 | See Source »

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