Word: cinema
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Dates: during 2000-2009
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...exhilarating, and it’s terrifying with both strobe lights and Earth, Wind, and Fire’s “September” pulsing explosively. It’s masterfully shot and edited, and is probably one of the most accomplished, thrilling bits of cinema that American theaters will see this year. But these are ten minutes out of 140, and it does little to move the film forward. Chieko’s story feels tacked-on, like it was a short film that was only included because Iñárritu lacked confidence in the rest...
...medicates her with pills, pills, and more pills. Desensitized to the world, Deirdre allows Finch and his family to adopt Joseph, which in the name of preserving her sanity. Augusten embarks upon life with the Finches, perhaps the most neurotic, Freudian-inspired family in the history of literature and cinema, which includes the doctor, his put-upon homemaker wife Agnes (Jill Clayburgh, “Ally McBeal”), and two daughters, Natalie (Even Rachel Wood, “Thirteen”) and Hope (Gwyneth Paltrow). Throughout the movie it is readily apparent that this is a stellar cast that...
...friendly R-rating, Bousman called up another director who specializes in movies people watch through their fingers, Rob Zombie, the tattooed heavy-metal vocalist. "I told him to talk to the MPAA as a filmmaker," says Zombie, 41, whose depraved gorefest The Devil's Rejects contains what many consider cinema's most artful human-roadkill scene. "Explain why the extreme violence is necessary to tell the story in a way that's more socially responsible." When pressed, Zombie admits he doesn't actually care what's socially responsible. He just wanted to help out a kindred spirit, another...
Assistant Dean of the College Paul J. McLoughlin II said he had wanted to remodel the Hilles courtyard as an outdoor cinema and raise the fourth floor balcony railing, but these projects were “value-engineered” out of the budget...
...Reds and Saturday night show tickets for the Middle East, he sports an ironic Communist slogan T-shirt. But don’t be fooled by the façade of pretension; he’s actually quite approachable—when it comes to post-Wall Berlin cinema...