Word: cinema
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...Daniel Day-Lewis) are a famous director scheduled to make your next film. Your producer is throwing money at you; a hundred skilled technicians are ready to turn your whims into cinema reality; and everywhere, beautiful women (Nicole Kidman, Penelope Cruz, Marion Cotillard, Kate Hudson, Sophia Loren) throw themselves at you, begging you to use them. So of course you/re miserable - because, at the moment, as a creative filmmaker...
...movie told them they were interesting enough to be the subjects of their own pictures. Egotism could be the highest form of artistry. For a while, every ambitious American director wanted to do his own 8-1/2. That license may have been issued a bit cavalierly - self-referential cinema, as it was called, could easily turn self-reverential - but it spawned some fascinating films, including Paul Mazursky's Alex in Wonderland, Woody Allen's Stardust Memories and above all Bob Fosse's All That Jazz, a collision of song and dance, skyrocketing neurosis and open-heart surgery, energy...
...good will earned by the films that gave him his reputation. Anderson’s characters—idiosyncratic, often emotionally opaque and depressive—inhabit worlds whose visual splendor assumes the sentiment, both delicate and deliberate, of an auteur—his awareness of the history of cinema giving way to reverence and innovation in equal parts. His films identify with a generation still in turmoil over lost innocence and the transition between adolescence and adulthood. He crystallized that ethos in 2001 with “The Royal Tenenbaums,” his masterpiece. Since then, Anderson...
...formula is part of an evolving mainland genre that has seen filmmakers incorporating more nuanced, entertaining storytelling into patriotic plots. "China is anxious to be part of the global community. There's a lot of concern over soft power right now," says Poshek Fu, professor of cinema studies at the University of Illinois at Urbana-Champaign. "Movies are a strong projection of that desire...
Dark? Yes. Disturbing? Absolutely. But Haneke wants his films to challenge his audiences, not merely entertain. "If cinema is exclusively there to produce some aestheticizing lie, that's sad," he says. "If film wants to be a serious art form, it has to take the audience seriously and not simply move them but also engage with them...