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Although no less eminent than Yasujiro Ozu or Akira Kurosawa in the canon of Japanese cinema, director Mikio Naruse has remained largely unknown to mainstream Western audiences...

Author: NO WRITER ATTRIBUTED | Title: Fall Arts Preview: Film Listings | 9/30/2005 | See Source »

Tuesday, Oct. 24—Sunday, Oct. 30. On the Set with French Cinema: Bruno Dumont. On the Set with French Cinema is an annual program through which illustrious French directors share their filmmaking experiences with American audiences. This year marks the Boston-area debut of the program, which will celebrate the work of Bruno Dumont, including 2003’s celebrated “Twentynine Palms.” Tickets $8; students and seniors $6. Tickets at the Harvard Film Archive...

Author: NO WRITER ATTRIBUTED | Title: Fall Arts Preview: Film Listings | 9/30/2005 | See Source »

Dave McKean: I have no idea. It’s a film. It’s probably quite warm in the cinema and you get to watch something that’s hopefully a little unusual. It’s a fantasy. It’s got flying fish in it, it’s got sphinxes in it, and hopefully it’s a pleasant diversion from studies. I can’t oversell this thing, I guess...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Holding a Mirror to McKean | 9/30/2005 | See Source »

...Moving Image Museum is being resurrected on the Brisbane River. While local firm Architectus' competition-winning design does appear to float, with a 12-m winged canopy and 9,000 sq. m of glass, the Queensland Gallery of Modern Art is anchored by the black box of a cinema at its base. Two theaters and an exhibition space will form the hub of Australia's first Cinematheque within an art museum, when it opens with the Asia-Pacific Triennial of Contemporary Art in November 2006. "One of the most important visual arts of the 20th century is cinema," says director...

Author: /time Magazine | Title: Finding Their Inner Spring | 9/27/2005 | See Source »

Only five years ago, it looked like it was all over for the King of Bollywood. After ruling Indian cinema as its undisputed superstar for a quarter century, Amitabh Bachchan began to bomb. A succession of films bled money. Endorsements dried up. Even his company's 1996 production of the Miss World beauty pageant was plagued by protests from both Indian conservatives and feminists. By the turn of the millennium, Bachchan found himself $20 million in debt and staring obscurity in the face. "The industry thought he was finished," says Ram Gopal Varma, director of Bachchan's latest hit, Sarkar...

Author: /time Magazine | Title: The Big B | 9/26/2005 | See Source »

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