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There's nothing deep or emotionally grand about this enterprise, but Star Wars never occupied that part of the cinema spectrum. The series was--and remains--Lucas' elaborate reconstruction of his Saturday-matinee memories and fantasies. This time the energy level is higher, the tempo brisker; a nice sense of doom crawls up the spine of the narrative. The leaden Menace was full of the posturing that two hostile nations engage in while marshaling their forces. In Clones the war breaks...

Author: /time Magazine | Title: Blockbuster Summer: Let the Battle Begin! | 5/20/2002 | See Source »

Toback also secured a theatrical release for the film at the Brattle and the Cinema Village in New York City before its release on video...

Author: By Michelle Kung, CRIMSON STAFF WRITER | Title: Harvard Man Premiers Tonight at Brattle | 5/17/2002 | See Source »

Then, five weeks ago, Cowboy Pictures—a “small but smart” company, according to Toback—agreed to release the film without video rights. Cowboy Pictures took over the deals Toback had negotiated with Brattle and Cinema Village and now plans to expand the film’s release to more than 75 cities...

Author: By Michelle Kung, CRIMSON STAFF WRITER | Title: Harvard Man Premiers Tonight at Brattle | 5/17/2002 | See Source »

...Sometimes plodding, sometimes didactic, sometimes deliriously disjointed, often the race films were, quite frankly, terrible. - film historian Donald Bogle in "A Separate Cinema: Fifty Years of Black-Cast Posters...

Author: /time Magazine | Title: Black Cinema: Micheaux Must Go On | 5/13/2002 | See Source »

...artistic freedom he enjoyed, Williams was still a white man's employee. To achieve true independence, blacks needed to raise the capital that would allow them to pursue their own visions. And in the 30-plus years of race cinema, there was only one black man with the drive and doggedness to write, produce, direct, finance and distribute his own films. That was Oscar Micheaux, the first black to direct a silent feature, and the first to direct a talkie feature. In so many ways, Micheaux was the D.W. Griffith of race cinema. And also its Edward D. Wood...

Author: /time Magazine | Title: Black Cinema: Micheaux Must Go On | 5/13/2002 | See Source »

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