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...this dispiriting little film about sexual gymnasts worth all the fuss? In the Philippines, yes. For most Filipinos, it's impossible to have a conversation without quoting a line from a Hollywood hit or a show tune, as if cinema were the grand sum of all the world's philosophy. Movies and politics are also melded together. Even with Estrada gone, movie stars still want to be politicians, and politicians yearn for their close up. The President copied her look and her camera poses from a doll-sized Filipina actress, Nora Aunor, whom she resembles...

Author: /time Magazine | Title: The President's Scissors | 4/9/2001 | See Source »

...secure planes for importing drugs. This might be an accurate reflection of what actually happened in real life—as Jung says of himself in a voiceover, his ambition was greater than his talent—but it doesn’t necessarily make for good cinema...

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: BLOW explodes onto the Big Screen | 4/6/2001 | See Source »

...unclear whether diehard Rodriguez fans will embrace this kinder, gentler Robert (and I, for one, will stick to the frenetic pleasure of his action opuses), Spy Kids, armed with a warm vitality all its own, can at least be credited with combating the black hole of family cinema, rather than feeding...

Author: By William Gienapp, CRIMSON STAFF WRITER | Title: Milk on the Rocks, Please: Shaken, Not Stirred | 4/6/2001 | See Source »

...become international was to be as true to one's own culture as possible. Nonzee is no different, and tips his hat to Chinese filmmaker Zhang Yimou for the same reason. "His films all smack of the East, particularly Ju Dou, and I want to give Thai cinema the same sense of identity that Yimou gave Chinese cinema." Rival director and friend Ratanaruang has Nonzee down better than any. "I think he's more Chen Kaige than Zhang Yimou," he enthuses. "Kaige is capable of art house, but he's also got business savvy. That's something Nonzee instinctively...

Author: /time Magazine | Title: Pride & Passion | 4/2/2001 | See Source »

...icon of postwar liberalism, and author Abby Mann (who revised the script slightly for its Broadway debut) is a message playwright of the old school. Onstage, the work is rather lumpy and heavyhanded, especially since director John Tillinger has not solved the problem of how to integrate the cinema-like scenes outside the courtroom. And yet, "Judgment at Nuremberg" retains its power to move and provoke...

Author: /time Magazine | Title: Broadway and Beyond: The Holocaust on Stage | 3/30/2001 | See Source »

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