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What follows is one of the most pleasant culture clashes in recent cinema, as Harrer and his travel companion and their newfound hosts explore each other's customs. The detailed and genuinely interesting presentation of Tibetan tradition are welcomed by a now emotionally fertile Harrer and audience, as are the sometimes humorous reactions of Tibetans to western ways...

Author: By Jonathan B. Dinerstein, CONTRIBUTING WRITER | Title: Man Climbs Himalayas, Has Revelation | 10/10/1997 | See Source »

More to the point, Holland is fiercely protective of her independence as an artist, citing how many maverick filmmakers "make one interesting movie, and then the next thing they do is some thriller made for profit." Holland did not, however, buy into the notion of a "revived" independent cinema that dovetailed with the success of The English Patient, Secrets & Lies and other non-Hollywood pictures late last year. Again, her multicultural background clearly affords her a unique perspective...

Author: By Nicholas K. Davis, CRIMSON STAFF WRITER | Title: Ms. Holland Goes 19th C | 10/10/1997 | See Source »

SONY JANUS CINEMA...

Author: NO WRITER ATTRIBUTED | Title: MOVIES | 10/3/1997 | See Source »

...American cinema rarely does it [make personal films]," said Stone, "except for Woody Allen, who does it every year...

Author: By Jordan I. Fox, CONTRIBUTING WRITER | Title: Oliver Stone Hits the Couch at HFA | 10/3/1997 | See Source »

Godard, the Don Corleone of the French New Wave, speaks a language that is both unfamiliar and seductive. As a university student in Paris in the 1950s, Godard spent his days in dark pockets of Left Bank cinema clubs. He soon began to contribute to Parisian film journals, in which he wrote reviews and articles under the whispery pseudonym Hans Lucas. When his wealthy parents cut off his pocket money, he took to robbery but remained an avid fan of the cinema, even from the depths of a prison cell...

Author: By Lauren M. Mechling and Hanna R. Shell, CRIMSON STAFF WRITERSS | Title: Riding the New Wave: Absolut Godard | 10/3/1997 | See Source »

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