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...Justice says their goal was "to open a debate, raise questions, something done regularly by cinema, literature and contemporary art." Yet YouTube is unlike any of those other media. There is no buying your ticket, no shifting in your seat with popcorn in hand; no stiff new book to crack open; no grappling with an artist's meaning in solemn galleries. Framed by neither the walls of a cinema or museum, nor the written page, YouTube is a kind of non-context, an ether from which one draws images designed for rapid, repeated consumption. Content of great value mixes with...

Author: /time Magazine | Title: Uproar Over French Music Video | 5/19/2008 | See Source »

...this quasi-documentary is his first entry in the Cannes competition. Jia's stately, static camera style is well suited to the story, which weaves the comments of workers from a Chengdu factory with three fictional monologues, delivered by distinguished actresses of three periods of Chinese cinema: Joan Chen, Lu Liping and Zhao Tao. "As far as I'm concerned," Jia says in a program note, "history is always a blend of facts and imagination...

Author: /time Magazine | Title: Cannes Gets Real | 5/17/2008 | See Source »

...among those who are genuinely interested in film, is there a greater sense of community now? KHOO: What the SIFF has done is create a sophisticated audience, one that can embrace more than just commercial cinema. When you look at Singapore, one thing I think we can pride ourselves on is the independent distributors that we have, and the amount of films that come through now, whether they be Iranian, French, German, from Hong Kong, or Korean. UEKRONGTHAM: Whenever I'm away, I can come back and get my art-house fix. You are spoiled for choice here...

Author: /time Magazine | Title: Singapore Redux | 5/15/2008 | See Source »

...61st Cannes Film Festival. In addition to movie company executives and programmers from Gotham cultural institutions, the plane carried a passel of people whose job it is to evaluate films, and for whom Cannes is both the start of the liturgical year and a two-week binge of international cinema. Among the critics on board were J. Hoberman (The Village Voice), A.O. Scott (New York Times), Lisa Schwarzbaum (Entertainment Weekly), Leah Rozen (People), Melissa Anderson (Time Out New York) and your two TIME.com correspondents, heading for our 35th Cannes fortnight. (We were teens when we first came here, practically...

Author: /time Magazine | Title: Can Cannes Still Do It? | 5/14/2008 | See Source »

Movies like Polar Express and Sin City proffered seductive experiments in digital cinema and green screen, but Speed Racer brings the virtual movie to full maturity--the, for now, ultimate blending of man and machine. If you watch the film, are overwhelmed by the assault of seductive visual information and wonder what you're seeing, here's the happy answer: the future of movies. We sing the movie electric...

Author: /time Magazine | Title: Iron Man, Speed Racer and the Future | 5/8/2008 | See Source »

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