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...problem, some researchers have come up with evidence that people have, at best, a hazy recollection of what things really used to cost. One study by two psychologists and an economist, to be published by the Bank of Italy, asked moviegoers in Rome if they remembered how much cinema tickets used to cost in lire before the introduction of the euro in 2002. Less than 1 in 10 got the amount right, while more than half underestimated the true cost by at least...

Author: /time Magazine | Title: Why What Things Used to Be Ain't What They Used to Be | 2/15/2007 | See Source »

Each of these images--from The Good, the Bad and the Ugly, Once Upon a Time in the West, The Mission, The Untouchables, Cinema Paradiso and Malčna--has its own meaning and feeling. But if, during these movies, you feel an elevation of spirit or tension, it's because you've fallen under the spell of Ennio Morricone's music...

Author: /time Magazine | Title: The Big Picture: The Music Man with No Name | 2/15/2007 | See Source »

...West is an ideal meld of sight and sound. With a strong theme for each major actor (harmonica for Charles Bronson, clip-clopping whimsy for Jason Robards, a sweet symphony for Claudia Cardinale), the film is less horse opera than grand opera. It justifies the claim director Giuseppe Tornatore (Cinema Paradiso, Malčna) has made for Morricone: "He's not just a great film composer. He's a great composer...

Author: /time Magazine | Title: The Big Picture: The Music Man with No Name | 2/15/2007 | See Source »

...ongoing series at the Harvard Film Archive comprising films suggested by Hoberman reflects the same distinctive taste. “Poetic Horror, Pop Existentialism, and Cheap Sci-Fi: Cold War Cinema 1948-1964” will continue through the spring...

Author: By Richard S. Beck, CRIMSON STAFF WRITER | Title: Hoberman Reveals Cinema’s Cold War Secrets | 2/15/2007 | See Source »

...Beyond Jamaica, audiences were less excitable when the film opened. What, after all, were they to make of a radical slice of experimental cinema verite shot by an unknown director in Super 16 mm, about a Jamaican boy who leaves the idyllic poverty of the countryside for the squalid poverty of Kingston to follow his dream of becoming a recording star, only to die in a hail of bullets on the beach? Although Henzell's film was a sharp critique on the closed, cutthroat circle of corruption between the island's music industry, police, and drug dealers, what eventually made...

Author: /time Magazine | Title: From the Underworld of Jamaica to the London Stage | 2/7/2007 | See Source »

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