Word: cinema
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Producer Paula Barreto acknowledges the film rounds out some of Lula's rough edges but says such is the concessionary nature of making biopics. "It's a film, and cinema is about choices. You have to leave things out," Barreto tells TIME. "What was important was that I wanted to portray that conciliatory side of him - the man who brought people together, who always wanted to talk and negotiate and was never radical...
Because the poor - the main source of Lula's support - usually don't go to the movies in Brazil (more than 90% of the country's municipalities do not even have a cinema), Barreto says the movie company is offering cheap tickets to union members and plans to show the film on mobile screens in rural areas. They are also prescreening the film for some of Lula's critics in the hope they will give it two thumbs up, thereby potentially attracting more middle-class viewers. But just who will pay to see it remains a concern. "The biggest problem...
...films than in any other decade in the history of film," says Jonathan Wolf, managing director of the American Film Market, an annual event where filmmakers and studio executives converge to sign production and distribution deals. But since the economic downturn, many indie movie distributors, including New Line Cinema, Miramax, the Weinstein Company and Paramount Vantage, have either left the market or slashed their funding...
...surprising sass and vocal authority that Judi Dench brings to "Folies Bergere" and a nicely gaudy turn by the pop star Fergie as a zaftig whore who urges the perpetually pre-adolescent Guido to "Be Italian." A few numbers are duds, like Hudson's attempt (in a new number, "Cinema Italiano") to channel Madonna in her "Vogue" period. But each one is there to explain a situation, not advance the plot; they're ornamental, not organic. After a while, Nine plays like some Hollywood charity revue where Oscar-winning stars (the movie has six: Day-Lewis, Cotillard, Dench, Kidman, Cruz...
...movies, not plumb the pools of their own artistry. Hollywood looks back, not inward. Nine, directed by Rob Marshall (Chicago) and scripted by Anthony Minghella (The English Patient) and Michael Tolkin (The Player), wants to do both: engage in a little navel-gazing while summoning the glories of Italian cinema in the Cinecitta era of the 1960s. Find a role for Sophia Loren! Cast Kidman as an amalgam of Claudia Cardinale and Anita Ekberg! And, just as anachronistic, have people sing their troubles, on a single bare stage. (See a photographic tribute to Sophia Loren...