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Listen up, class: we are in the late, or decadent, phase of action-adventure cinema. By now there have been as many variations on the spy-vs.-spy genre as Renaissance artists did on the Pietŕ. So a presummer blockbuster like Mission: Impossible III, confected by TV auteur J.J. Abrams (Alias, Lost), is inevitably a commentary on every action movie that preceded it. Such an endeavor brings out the scholar in its audience and the pedagogue in its reviewers. For real students of the form, straight questions about M:i:III are too easy. (What film is this film most...

Author: /time Magazine | Title: Movies: M:i:III : Your Assignment | 5/7/2006 | See Source »

...with Melville, who was born Jean-Pierre Grumbach a generation before the French New Wave, which revered him, and took as his nom de cinema the name of the author of Moby Dick . It was intended as an homage to the things American that he admired - most particularly genre crime films. It is therefore an irony that his work is so little known in the United States, though Bob LeFlambeur, released here in the ?80s, about robbing the take at a Deauville casino, is the greatest heist movie I?ve ever seen. It is more than an irony...

Author: /time Magazine | Title: Strolling Toward Their Destiny | 5/5/2006 | See Source »

...director David Jacobson’s new moody, independent film, ironic juxtapositions of viewpoints anchor the plot in people-driven drama, which is at times laughable, disturbing, and thought provoking. Breathtaking visual and sound effects accompany nuance-rich performances in attempts to create a powerful and artistic piece of cinema. However, the reality created by the well-written and well-acted characters is ultimately undermined by too many self-consciously inventive film tricks.Much like the film itself, Harlan Fairfax Caruthers (Edward Norton), the movie’s drawling, gun slinging, cowpoke protagonist, is difficult to take without a grain...

Author: By Mollie K. Wright, CONTRIBUTING WRITER | Title: Down in the Valley | 5/4/2006 | See Source »

...still trying to stitch itself together after the war and, cinematically, completely in the thrall of neo-realism, which was just beginning to peter out. Along with Bernardo Bertolucci’s debut, released the year before, “Fists” heralded a new period in Italian cinema. But, “Fists” is also entertaining, even now. Families are often embarrassing and it is fun to watch one be torn apart with skillful gallows humor, rather than the drunken depression of an O’Neil play, the pretention of the Danish film...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: DVD Review: Fists in the Pocket | 5/4/2006 | See Source »

...Farrel and Oscar-winner Jamie Foxx—she replies: “Wow, I just have no idea about any of it.”Katherine E. Conden ’06 doesn’t even plan on finding out what’s new in Hollywood cinema this summer, “I usually just go to Kendall Square to see movies. I have no interest in big movies like that,” she says.So, is the “Harvard bubble” so all-encompassing that only a small percentage of us actually know...

Author: By Christopher C. Baker, CONTRIBUTING WRITER | Title: Long, Hot Summer Flicks | 5/4/2006 | See Source »

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