Word: cinemas
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Dates: during 1960-1969
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...Integrity! Freedom!" trumpeted the resolution passed by the Italian Association of Cinema Authors. "Any pornography or morbidity is preferable to repression." Strong words, and stronger still was the action taken by the association in angrily expelling famed Director Franco Zeffirelli (Romeo and Juliet, The Taming of the Shrew). His colleagues were enraged because Zeffirelli had been campaigning against the current flood of sex films in the Italian cinema, saying that they show sex as vulgar and ugly and suggesting that some moviemakers on the edge of bankruptcy had been saved by pornography. Countered Zeffirelli: "I committed no antidemocratic...
...doctrine that lifted directors to their new eminence first appeared in the pages of the resolutely avant-garde French magazine Cahiers du Cinema. In January 1954, Truffaut, then a critic and aspiring film maker, wrote a prophetic article entitled "Politique des Auteurs" ("The Mark of the Author"). Its purpose: to show that celluloid could be just as prestigious as paper. Movies were not group art, he argued. The scenario, camera work and acting were all under the unifying force of the director -the author of a body of film work...
Despite its persuasive power, the auteur theory suffered from one serious flaw. Though the Cahiers critics had an encyclopedic knowledge of cinema, they understood little of the Hollywood System. From the '30s onward, American directors have often been mere foremen, called in for the job after the laborers -including the actors-were hired by the studio. Some, like John Huston, are capable of severe impressive films (The Maltese Falcon, The Treasure of Sierra Madre). Others are erratic job-by-job film makers whose unifying philosophy seems to be a healthy respect for the box-office receipts...
...make all these disparate elements fuse into an inspired whole. In The Seventh Seal, Bergman had Death lead a troupe of clowns, obedient to a will larger than their own, across the dusky horizon to oblivion. The scene, still indelible in the minds of most viewers, somehow lifts cinema into the realm of philosophy, psychology and even religion...
SOME DIABOLICAL booking agent selected Bullitt's to open in the Central Cinema One, next to Weekend. It shows as clearly as the latter how essential moral sensibility is to honest American films...