Word: cinemas
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...more than 50 this time, and includes movies not just from Japan and China but also Korea, Malaysia, Indonesia and the Tamil state of India. Few of these titles are likely to get a U.S. release, which is a shame, but there's always the Internet. Be a cinema sleuth and track down some of these titles; you'll say Wow, too. (See the All TIME 100 Best Movies...
...While North Korea celebrated our July 4th by firing short-range missiles into the Sea of Japan, South Korea made balky protests and stood on edgy alert. Yet to judge from some of the movies in this now world-class national cinema, you'd think the South's biggest political problem was the repression of its own postwar decades. In the 1970s its film industry produced a number of anti-Communist films; Dachimawa Lee is a parody of these gung-ho, better-dead-than-Red melodramas. That might register only as more grousing from the artistic Left, if the movie...
...Noir meets nutso in this black-and-white thriller from a vital national cinema whose films are virtually unknown in the U.S. After his car runs over something on a country road - turns out to be a skeleton - a tough-guy newspaperman stops in a small town that seems to be under the curse of a female ghost and is certainly teeming with oddballs. It's the old story of the city slicker out-crazied by the remote rubes. Unfamiliarity with Malaysian film conventions may leave you wondering whether the tone is comic or melodramatic or simply extraterrestrial. No matter...
...different muscles, for sure. For movies, you have to think of time as set - everything else in music is variable time. In cinema, the composer has to sort of decide in the collaborative sense: Do you want time to seem like it's moving faster or slower? You can play one music to a scene and it seems to last forever, but play a different thing and it just whizzes by. A ballet dancer can take his time with a scene, going a little faster or a little slower, and a conductor can change night after night. There are liberties...
There are some very well educated critics in cinema, people who can write who understand cinema. Unfortunately, those people are the minority. So there are reviews that I do read. No one I want to name right...