Word: cinemas
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...turn Harvard into a trade school for future artists or actors. It also stressed visual literacy over practical skill, claiming that without “the twin arts of perception and discrimination” the educated man might be overly swayed by “photograph, the billboard, the cinema, the picture magazine, and now television...
...start of the modern era was particularly good for Italian and American cinema: Italian films took home the award four times straight, from 1966 to 1972, and twice again in 1977-78. Italian-American heavyweights Martin Scorsese (Taxi Driver, 1976) and Francis Ford Coppola (Apocalypse Now, 1979) took the glory for the U.S. and even Bob Fosse joined in at the start of the 1980s with All That Jazz. But critics would snipe that truly great films (and directors) were being overlooked: there would be no Cannes love for Rainer Werner Fassbinder (Ali: Fear Eats the Soul),Werner Herzog (Every...
...recent years the Cannes jury has been kinder to American (or, perhaps one could argue, conservative) cinema, having been won over by the likes of sex, lies and videotape, Wild at Heart, Barton Fink (1989-91), Pulp Fiction (1994), Elephant (2003) and Fahrenheit 9/11 (2004). But with Quentin Tarantino's Inglourious Basterds the only fully American entry in the running - Taking Woodstock by Ang Lee is generally considered part-American, part-Taiwanese - it was always likely that the Palme d'Or would remain in the hands of world cinema. And so it has proved, via the Austrian Haneke's White...
Lifetime Achievement Award for His Work and His Exceptional Contribution to the History of Cinema: Alain Resnais, France...
...Oldboy. But the really startling awards were in the supporting categories. Kinatay, which depicts the torture, beheading and dismemberment of a prostitute, was almost universally reviled. In the critics' poll for Film Francais magazine, this grotty little melodrama from Brillante Mendoza, the forlorn hope of Filipino cinema, was given the lowest rating of any official selection. But somebody must think that Mendoza really is brilliant. "It's not a dating film," one jury member, playwright and screenwriter Hanif Kureishi, acknowledged at the press conference. "It's not a film I would see again." But he and other members said they...