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Pootie Tang was in my opinion a brilliant film and a totally new kind of cinema. Do you see it as arty and postmodern, or am I just tripping?- Rebecca Shaeffer, Washington...

Author: /time Magazine | Title: 10 Questions for Chris Rock | 3/15/2007 | See Source »

...prestigious award at the Cannes Film Festival, has been given to such groundbreaking films as “Apocalypse Now,” “Blow-Up,” and “Pulp Fiction.” The newest entry added to this list of historic cinema is Ken Loach’s “The Wind That Shakes The Barley,” an incredibly wan and uninspired drama chronicling the Irish Civil War of the 1920s. Although the Cannes jury embraced the film, the latest offering from the veteran British award-winning filmmaker falls...

Author: By Christopher C. Baker, CRIMSON STAFF WRITER | Title: The Wind That Shakes the Barley | 3/15/2007 | See Source »

...Boston Underground Film Festival (BUFF) presents films not found in your local theater…at your local theater. Held right in Harvard Square, the BUFF is showcasing experimental/plain weird cinema for four days, starting on Mar. 22, at both the Brattle Theatre and AMC/Loews...

Author: By FM Staff | Title: Get Out! | 3/14/2007 | See Source »

...took a little bit of work to explain to people that I am neither a cartoon character nor a monkey brain-eater,” Penn explains, laughing.He credits Nair with breaking some of the barriers that had previously kept Indians out of mainstream American cinema.“She was one of my role models growing up and really inspired me to go into filmmaking,” he says. “So to have the chance to work with her was very, very incredible.”But for those who worry that Penn has left behind...

Author: By Marianne F. Kaletzky, CRIMSON STAFF WRITER | Title: Kal Penn Finds Cultural Roots, Turns Serious in ‘Namesake’ | 3/8/2007 | See Source »

Snyder is one of a small, hypertechnical fringe of directors who are exploring a new way to make movies by discarding props, sets, extras and real-life locations and replacing them with their computer-generated equivalents. Cinema has always had a tenuous connection to reality; they're severing it almost completely. It's a technique loosely known as "digital back lot." George Lucas was a pioneer, as was Kerry Conran, the lonely genius responsible for the much praised, little-seen Sky Captain and the World of Tomorrow. In Robert Rodriguez's cult hit Sin City (also based on a Miller...

Author: /time Magazine | Title: Movies: The Art of War | 3/2/2007 | See Source »

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