Word: cinemaseers
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Dates: during 1930-1939
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Because, in the loneliness of Power, Il Duce admits no other mortal to close friendship he spends most of his evenings alone, finds distraction, when not working, in his violin and in censoring cinemas. Came news last week that the Dictator had shushed the U. S. feature length film Mussolini...
Helen Hayes, back to the stage from suffering in cinemas like Farewell to Arms, White Sister, gives to Mary little but these same brave, little girl accents. When she is on the stage in the last scene with Helen Menken, scrawny and harsh-voiced as Elizabeth, she is just a...
Thunder Over Mexico (Upton Sinclair) is a feature length null picture whittled out of the gigantic 243,000-ft. opus which Director Sergei Michailovitch Eisenstein made in Mexico over two years ago. In silent form with a musical accompaniment, it investigates a minor miscarriage of social justice on a Mexican...
Dedicated to the theory that cinemas should be timely, Warner Brothers doubtless found this one particularly apropos because Metro-Goldwyn-Mayer had recently bought the rights to Ann Vickers, Sinclair Lewis' study of a professional woman. Marred by signs of haste in production, it contains, like many recent Warner...
Cinemas in which Marie Dressier plays the lead have one quality in common-the heroine is a raffish, vigorous old woman whose generous heart thumps under sleazy clothes that do not fit her. Tugboat Annie (MGM) is not merely a typical Marie Dressier picture; it crowns all her previous works...