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...Infante was an ornament of Mexico's Golden Age (La é poca de Oro del Cine Mejicano), a two-decade stretch of potent moviemaking. While the U.S. industry was importing Latin Americans like Ricardo Montalban, Carmen Miranda, José Iturbi and Fernando Lamas, Mexican beauty Dolores del Rio left Hollywood and returned home to join such new stars as Cantinflas, Pedro Armend?riz, Mar?a Félix and Infante's friendly rival in the singing hunk sweepstakes, Jorge Negrete. Emilio "El Indio" Fern?ndez was directing movies that won international prizes, like the Cannes Palme d'Or. A renegade from Franco...

Author: /time Magazine | Title: Learning Pedro Infante | 4/15/2007 | See Source »

...lente. Ella juega el juego del mundo del espect?culo como una profesional, venciendo los m?s grandes obst?culos. Tomemos por ejemplo su primer arribo en 1990, a los 23 a?os, a Estados Unidos; siendo ya una estrella en su pa?s, M?xico, tuvo que comenzar de cero en la industria del cine en Los ?ngeles. Despu?s que el director Robert Rodr?guez la viera en televisi?n y la seleccionara para su pel?cula Desperado, de 1995, Hayek comenz? a conseguir papeles en pel?culas como Fools Rush In y Wild Wild West. Justo doce a?os despu?s de su llegada, la actriz ha producido y protagonizado...

Author: /time Magazine | Title: Salma Hayek | 8/15/2005 | See Source »

Let’s set the cynicism aside though. If you live for the movies—if the light-play of the darkened theatre gives you a chill, if you accept giving yourself completely to the didactic world of cine-representation in which you totally lose control—you might as well shoot yourself now because this year is going to suck...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Another Year at the Movies | 3/10/2005 | See Source »

...Cine said at the rededication that the renovation’s improvements brought important technological advances to the library...

Author: By Risheng Xu, CRIMSON STAFF WRITER | Title: Administrators Rededicate Widener | 10/4/2004 | See Source »

...into film noir territory with a melodrama about a Madrid schoolboy molested by a priest in the '60s. The theme of child abuse could be treated soberly - and was, in a half a dozen or more Cannes films this year - but that wouldn't suit Almodóvar's cine-showmanship. The story spins backward four times before landing on its subject, then skips assuredly from comedy to horror, with a pretty plot twist at the end. It's all prime Pedro. Like Bad Education, House of Flying Daggers marks a relaxation, but not a reduction, for a world-class...

Author: /time Magazine | Title: The Cannes-Do Spirit | 5/23/2004 | See Source »

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