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...Artist Campos come to the U. S. Landing in Manhattan in November, he and shy Señora Campos bought a small car and proceeded to jaunt over 17,000 miles of the Southwest, the West and Mexico, stopping off in Hollywood for two months. There Artist Campos and Cine-martist Walt Disney talked over the possibilities for bigger & better animated cartoons. Most fun Artist Campos has yet had in the U. S. was in Los Angeles, Calif., where he rode as a gaucho in the rodeo...

Author: /time Magazine | Title: Art: Gaucho Artist | 5/2/1938 | See Source »

...method of making X-ray cinema photographs of organs functioning in the living body. Devised by Dr. Russell Reynolds of London, this consists of a very bright fluoroscopic screen on which the direct X-ray picture is thrown and there photographed as it changes by a cine- camera. Since motion picture film must pause 16 times each second to make its record, Dr. Reynolds likewise interrupts his X-ray beam 16 times a second. This reduces the danger in X-ray work of burning a patient or sterilizing him, and therefore enables Dr. Reynolds to make exposures of as long...

Author: /time Magazine | Title: Medicine: X-Rays in Chicago | 9/27/1937 | See Source »

Cinema-Arts' editor is Paul Husserl, onetime script editor for the cine-MARCH OF TIME. Following the current vogue, Editor Husserl packed his first issue with many more pictures than paragraphs, hired four artists, most notably Jaro Fabry, to illuminate what interstices were left between photographs and text. Best shots: a full page of Henry Armetta titled "Portrait of Expostulation " and "Double Feature," a photograph of a Manhattan theatre marquee advertising Romeo & Juliet and Mama Steps...

Author: /time Magazine | Title: Press: Film FORTUNE | 6/7/1937 | See Source »

...Kiss and, for the inevitable climax on the stage of the Metropolitan Opera, the Una voce poco fa aria from The Barber of Seville, in which she turns loose the fastest high C yet released on a Hollywood sound track. All these correspond to the school figures of cine-musicomedy. The real pyrotechnics of That Girl from Paris come when Diva Pons puts classical touches on The Blue Danube to a background of swing jazz...

Author: /time Magazine | Title: Cinema: The New Pictures: Jan. 11, 1937 | 1/11/1937 | See Source »

Introduced for the first time to Mickey Mouse at a private showing of Walt Disney's The Band Concert in London, Arturo Toscanini exclaimed, "Surely it is impossible! It is magnificent!", had the film run over again. Hearing that Cine-man Disney planned a European tour, Conductor Toscanini announced: "I shall invite him to my Italian home at Lake Maggiore. Si, si, I shall insist...

Author: /time Magazine | Title: People, Jun. 24, 1935 | 6/24/1935 | See Source »

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