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...verismo. But this bright and mellow spring Sunday just might turn out to be, well, different, you know, together. Milos Forman, the Czech-born director (One Flew over the Cuckoo's Nest), trying to turn the Aquarian Age stage hit Hair into a movie, needs an authentic circa 1968 "bein" as backdrop for crucial scenes. Those affairs having gone the way of peace symbols and miniskirts, he has to wing it. So Forman's munchkins hire six rock bands, reserve the twelve-acre Sheep Meadow in Central Park and put out a call for extras: "Director Forman will...

Author: /time Magazine | Title: In Manhattan: Reliving the '60s | 5/22/1978 | See Source »

With the puck tied up for a face-off in the B.U. end, centerman Benson scored his second goal of the tournament on a darting wrist shot from the left circle a split second after the puck was dropped (vintage Derek Sanderson, Circa...

Author: By Bill Scheft, | Title: Icemen Crawl, Brawl in Beanpot Loss | 3/2/1978 | See Source »

...such that the auction houses hammered down one record after another in 1977: rare books ($360,000 for John James Audubon's Birds of America), Sèvres porcelain ($102,600 for Marie Antoinette's delicately painted milk pail), American furniture ($135,000 for a Boston-made mahogany bombé chest, circa 1780), even tin toys ($3,105 for a Mickey Mouse organ grinder...

Author: /time Magazine | Title: Living: A Great American Treasure Hunt | 2/13/1978 | See Source »

...said that no one could ever make a Viet Nam war movie as silly as John Wayne's legendary get-the-gooks epic, The Green Berets. But now we have The Boys in Com pany C, Sidney J. Furie's account of Marine warfare in the paddyfields, circa 1967-68. This inadvertently hilarious film is the Dien Bien Phu of war movies...

Author: /time Magazine | Title: Cinema: War Is Heck | 2/6/1978 | See Source »

This is not the sort of creativity one expects to find preoccupying an austere and sober artist like Ingmar Bergman. Yet it must be said that his liveliest attentions in The Serpent's Egg are lavished on the marvelous Berlin city block, circa 1923, that Producer Dino De Laurentiis provided him for this picture. The thing comes complete with a real working streetcar, which the director sets to clanging at every possible opportunity. When he is not busy with that, he is filling his street with crowds in all kinds of moods, showing it at all times...

Author: /time Magazine | Title: Cinema: Cabaret Act | 1/30/1978 | See Source »

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