Word: circulares
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Dates: during 1950-1959
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...listens, he periodically leans back in his chair, takes off his steel-rimmed glasses, polishing them with a handkerchief in deft circular strokes. It is an uncommonly sad face that is revealed, but the visitor notices the eyes, cool and piercing, the strong, shovel-like chin, and there is an impression of sincerity and power. At midnight Gomulka drops his pencil, closes the manila folder on an unfinished speech, a lone late-staying assistant throws a dark overcoat over Gomulka's thin shoulders, and he clumps out to his ZIS limousine, pausing a moment to look across the streets...
Queen Eurydice had a spacious reception hall with a circular fireplace in the center. Her boudoir had frescoed walls, and its stucco floor was gaily decorated with dolphins and octopuses. Like other parts of Nestor's palace, the Queen's apartments had terra-cotta pipes to carry off the smoke of the heating system. A small room, presumably a bathroom, had an underground drain. There was no bathtub, but since a terra-cotta tub was found in another part of the palace, Queen Eurydice may have had one too. Or perhaps her slave girls bathed her by pouring...
...biggest, most elaborate and most thoroughly forgotten paintings in American history is heading for a comeback. A 165-ft. panorama of the palace and gardens at Versailles, painted in two CinemaScope-like sections, it is being installed this week in a specially built circular room in Manhattan's Metropolitan Museum. Versailles is a masterwork of sobersided, redheaded John Vanderlyn (1775-1852), a painter deeply admired in his youth, deeply pitied in old age, and deeply buried in the textbooks after his death. The picture's new home at the Met should do much to rescue Painter Vanderlyn from...
...brought back detailed perspective drawings of Versailles, which he now proposed to work up into an oil panorama. His admirers were so taken by this idea that they raised money to build Manhattan's first art museum building, specifically to house the painting. It was a neoclassic, circular structure, a few steps from City Hall, on ground rented from the city for one peppercorn a year. Vanderlyn's panorama occupied the whole upstairs, his smaller canvases, which he thought finer, were downstairs. Entrance fees were supposed to pay for maintenance, but hardly anyone came...
Like a monstrous egg half-buried in the ground, pierced by a twisted steel tower, the church itself arcs 110 ft. above a circular sanctuary in which 2,200 people, transported there by escalator, will sit on body-pampering theater seats around a pulpit that rises or lowers at the push of a button...