Word: circularized
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Coattails. The Wankel revolution has been expected for years, chiefly because of the rotary engine's elegant simplicity. Instead of converting up-and-down piston motion into wheel-driving circular energy through a series of complex linkages-the way a standard engine works-the Wankel rotors spin continuously and thus provide the proper torque to move a car's wheels directly. Rotary engines are smaller, peppier and potentially cheaper to build than conventional reciprocating models, and have only six major points of wear, v. 100 in a conventional engine. The most persistent bug, ever since Inventor Felix Wankel...
...fourth part of the building is a semi-circular lecture hall section, containing four theatres ranging in size from 150 seats to 500 seats. The lecture halls will be outfitted with expensive and elaborate audio-visual equipment. The most distinctive feature of the lecture wing is the "spider leg" supports which hold the roof aloft. The spider legs are nine bent steel trusses that emanate from the center of the semicircle. They will be left uncovered and allowed to rust until a thick cover of reddish oxides is formed...
...center of the building was going to be decorated with art works. The terraces of the office wing were supposed to have been adorned with plants, "sort of like hanging gardens," Sert says. Sert had also hoped to have an outdoor amphitheatre on the roof of the semi-circular lecture hall section. The building's two courtyards were going to be sculpture gardens. "Unfortunately, the parts of the building that were supposed to be given to the arts were the first to be cut out," Sert noted...
...stage, an irregular stack of three circular platforms, thrusts into the middle of the room. "I wanted a shape more than a stage, something with plenty of movement yet undefined. I wanted it to be out into the audience; when you have a proscenium at the end of a room, you have people looking at the show; you forget they're there." The platforms rest on steel pipe legs, specially cut and threaded because the usual machinery couldn't handle such short legs. Guy proudly shows off his banged-up finger, still recovering from his carpentry. "And I have...
...designer Peter Agoos and lighting crew David Chaplin and Marlene Nelson were vital collaborators in the general success. Agoos' three-tiered circular stage gave the performers both space and a versatile set for barrooms and statues. With a thrust stage and cabaret setting the lighting was crucial--and flawless...