Word: circularized
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...would Gretsch, who concedes he has yet to test smell technology, react to a business plan from a smelly start-up? "In this market it would end up in the circular file," he says. Or, depending on the level of technobabble, it might have a more dignified end. "We save some business plans just because they're funny," says Gretsch...
...early flash-forward in the novel reveals that the Talcott weekend celebrations will end in an act of violence. But this seed of suspense never really sprouts into page-turning anticipation. John Henry Days evolves in a circular, not a forward, momentum. The contemporary, confected media hype is contrasted, implicitly, throughout the book with the older, mysterious, grassroots spread of the tale of John Henry, who may have died in the early 1870s but who is as impossible to identify historically as Odysseus or Robin Hood. As one character notes, "The Ballad of John Henry has picked up freight from...
...chef hunkers over a circular cutting board, pushing a few small, rosy slices of raw lamb into a pile. Then Wayne Nish begins to chop until he's left with a mound of lamb tartar, which he molds into the shape of a bonbon and arranges on a square white plate, alongside an identical mound of tuna tartar. Between them he dribbles a cascade of osetra caviar, tiny shimmering globules the color of wet seaweed. Aside from a delicate sprig of cilantro, nothing else is on the plate...
...right starting a few feet after you walk in the door, with a raised seating area on the left. The raised area terminates at the soundboard; the bar stops just opposite and the space opens up a bit. Maybe another 30 feet or so through some tiny scattered circular tables there's a stage just a few feet off the floor. Hanging from the ceiling, massive monitors flank it. On the far left a narrow passageway leads to the dressing room and the stairs going down to the most famously disgusting restroom in New York City...
...more attention on Mayfield. This is quite fitting, as Mayfield has much of the technical virtuosity and bluesy style associated with New Orleans trumpeters such as Louis Armstrong and Wynton Marsalis. However, his showmanship seems overly self-conscious, as he tends to overuse stage techniques such as circular breathing...