Word: circusing
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...time is ripe to dump on Cirque du Soleil. This Montreal-based troupe has been an item of import chic since 1987, when it began touring the U.S. with a show called Le Cirque Reinvente. The Cirque style--circus acts (no animals, just humans) with the gloss of stage magic and a mysterioso musical score--is no longer an automatic astonishment; form has congealed into formula. Putting one of its extravaganzas, Mystere, in a Las Vegas casino and planning new shows in Vegas and Walt Disney World are moves that rob Cirque of its old street-theater purity. Then there...
Quidam tours California for the next year before heading to Denver, Dallas, Houston, New York City, Chicago and Atlanta. More buoyant than the 1994 Alegria, less self-consciously surreal than the '92 Saltimbanco, Quidam is prime, mature Cirque. It is beyond circus, beyond theater; it makes the incredible visible...
Then the couple had their first dance. The song they chose was Forever in My Life by the artist formerly known as Prince. "There comes a time," the lyrics run, "in ev'ry man's life/ When he gets tired of foolin' around/ Juggling hearts in a three- ring circus/...Forever, forever, baby, I want U forever./ I wanna keep U 4 the rest of my life." Not Ira Gershwin exactly but an apt and amusing sentiment...
Only a former professional clown could have put together a dance/theater program as crazy, eclectic and fun as "Snappy Crayons and Other New Dances." George Whiteside '87 performed with the Ringling Bros., Barnum & Bailey Circus before choreographing and designing this show which combines modern dance, clowning and nonstop energy...
...Harvard's own. Having graduated in 1987 with a degree in Russian and Soviet studies, Whiteside moved on to study theater improvisation and performed with troupes in Boston. According to Whiteside, however, the biggest achievement of his life came when he toured with the Ringling Bros., Barnum & Bailey Circus as a clown in "The Greatest Show on Earth." "Snappy Crayons" is Whiteside's first attempt at choreographing a dance/theater production...