Word: cited
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Dates: during 1950-1959
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...take the question of U. S. aid to underdeveloped countries. In the search for a generalization, Mr. Beecher has assumed some sort of a cause and effect relationship between military aid and what he is pleased to call the appearance of military dictatorships. It is enough to cite the example of Burma which was not receiving military aid to refute this. Nor is a change in the form of government peculiar to underdeveloped countries. Rather, it is in an oversimplification to think of the political situation in a country receiving aid in the terms which he has in mind...
...article--rightly, I think--sees no serious danger of what it calls "interference from above." However, it does cite a few rare "instances," the first of these involving the Theater Workshop's projected Hamlet of 1947. And Mr. Titcomb continues: "Under pressure from Professor Levin, who predicted it would be 'an artistic and financial failure,' the group gave up the project (Levin was more recently proven wrong on the first point but right on the second...
Finally, the book has two general merits which are worth special mention, especially since it is difficult to cite most the merits of a book of this kind except with an empty summary. Guerard writes well; this is a rare quality in a book of detailed criticism, and I hope it sets an example that will be widely followed. Second, he is occasionally willing to summarize; this is an even rare and more useful quality, since it requires more courage than the average academician can muster...
...have with this analysis is that they have misrepresented, as did eleven Princeton seniors in The Unsilent Generation (And isn't this silence bit getting confusing now?), the aspirations of their contemporaties. The Editor people say we're silent and inward-directed; the Princeton people, whom they cite with pride, are unsilent and inward-directed. Every-body else is, presumably at least, inward-directed, and all of us are different from our fathers, they...
...Said a resolution signed by 22 of Belgium's top museum directors and art teachers: "Often in the course of its history Belgium has had to witness, powerless, the destruction or pillage of its artistic patrimony. Once more, and this time without being able to cite the accident of bombardment or the whim of an invader, our country has just been dispossessed of an inestimable treasure, of the most important work in a Belgian private collection...