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After the discussion, Vittachi called upon the journalists in the audience to cite instances when they would not publish a story...
...Security Council Resolution 242, which implicitly affirms Israel's right to exist as a state. Strauss basically concurred, but added that the U.S. favors "a reaffirming and a building on" of 242 with a new draft that could cite 242 and include the Camp David language recognizing the "legitimate rights of the Palestinian people." He told the Premier that the U.S. "might go forward with a resolution of its own in the U.N." along these lines...
...enemy is not 'the left' or 'Communism' or 'subversion' but this egalitarian ideology whose formulas . . . have flourished for 2,000 years." New Right partisans hold that individuals and races are divided by insurmountable barriers of hereditary inequality; in support of this view, they cite the much debated research by such American scientists as Arthur Jensen, William Shockley and Edward O. Wilson. France's New Righters thus call for a "meritocratic" society in which the ablest and most intelligent would rule. As practical steps toward this goal, they suggest a variety of programs ranging...
There are strong arguments against giving Chrysler the cash. Opponents cite the British experience of never-ending subsidies to sick companies and its disastrous effect on the taxpayers. G.M. Chairman Thomas A. Murphy argues that federal aid insulates companies from the effects of competition in the marketplace, perpetuates inefficiency and creates unfairness. There is no precedent for what Chrysler wants. In 1971 Lockheed was rescued with a federal loan guarantee for $250 million of its private debt. But that cost the taxpayers nothing, and by the time the Lockheed loans were paid off in 1977, the Government made a profit...
Whatever the etymology, Ariel is an androgynous creature, and over the years the part has been played by boys and girls, men and women. Among the female Ariels one might cite Kitty Clive in the 18th century, Maria Foote, Priscilla Horton and Kate Terry in the 19th, and Fania Marinoff, Agnes Carter, Rachel Kempson, Elsa Lanchester and Margaret Leighton in our own. For the most famous American production of The Tempest (in which only Arnold Moss' Prospero attained distinction, but which still ran a hundred performances on Broadway in 1945), director Margaret Webster engaged as Ariel the ballerina Vera Zorina...