Word: civilizations
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Dates: during 1970-1979
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...play, both the author and the performers are in better form. New-Found-Land is in some ways even more of a trifle than Dirty Linen--it's essentially two monologues, one delivered by a senile minister about his youthful meeting with Lloyd George, the other by a young civil servant about his dreams of America. John Straub as Bernard, the codger, steals the show with simple, somnolent nods of his head--a note of comic understatement other members of BARC could learn from...
...Marxist, and I know that you Americans shudder when you hear redistribution of wealth. But it's happened here in South Africa before. When the "Nats" took power in 1948 from Smuts' United Party they (the Afrikaaners) began a concerted effort to redistribute the wealth. The entire civil service was padded with Afrikaaners, to get a government contract you had to be Afrikaaner, special schools and services were established for the Afrikaaner. Redistribution of the wealth does not necessarily imply Marxism...
...decade turned, and the intellectuals debated the repercussions of the Cold War, the attention of the American public turned to the rumblings of the Civil Rights movement. Podhoretz, age 30, became editor of Commentary, and immediately focused its attention on social questions. Breaking Ranks reflects this stress: Podhoretz talks about James Baldwin's the Fire Next Time and his own My Negro Problem--and Ours, offering a fascinating discussion of the accusations and threats which accompanied the movement toward integration...
Just Above My Head traces the emotional and spiritual journeys of Arthur Montana, a gospel singer, and Julia Miller, a child evangelist, as seen through the eyes of Arthur's older brother Hall. Hall recounts Arthur's involvement with the Civil Rights Movement, Julia's fall from the ministry and subsequent exploitation by her father, Arthur's homosexual relationship with Julia's pianist brother Jimmy, and Arthur's mysterious death at the peak of his fame. The novel reads as if authored by Hall in an effort to understand his brother's life as an artist, in order to legitimize...
...plot follows Arthur, Jimmy, Julia, and Hall from their childhood world of church, home and family, through the Civil Rights Movement, to Europe and Africa, through flirtings with Islam or drugs and finally to the mostly white professional world in which they begin to build their futures. All the characters seem bound to each other either by love, blood, or the church, reflecting a perception about black life that Baldwin began fleshing out several novels ago, but all must grapple with some personal demons before they can enjoy their love for one another...