Word: clad
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Dates: during 1950-1959
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...Talk. A longtime foe of esthetes, Benton insists that "dough is the only thing that really inspires an artist-I guess because artists never have much of it." Clad in loafers, blue jeans and an open-neck flannel shirt, he labors a strenuous eight-hour day seven days a week, allows only his black-and-silver German shepherd in his studio because "he never criticizes what I am doing." All the other distractions, including pipes, of which he has more than 100 models, are taboo during work hours. Instead, he chews tobacco...
...muscled 240 Lbs. on a 6-ft. frame. In 1957, when Ydígoras made his turbulent campaign for the presidency, Cousin Julia led his street-demonstration gangs. With his victory, she hit the big time. In dinner jacket, she turned up at diplomatic functions with her attractive, fur-clad roommate, Carmen Gandara, 26. Julia first got a job bossing all public purchases, then talked Ydígoras into giving her the Education Ministry...
...rotgut alcohol known as cachaça. Around the altars, while drums pounded faster and faster, men, women and children danced and shouted, stomped and babbled. Yemanjá, goddess of the sea, was the special object of honor; poor families from Rio's slums and evening-clad nightclub patrons waded into the water to toss in offerings-liquor, perfume, jewelry, and thousands of bouquets of white chrysanthemums...
Amid the rolling hills of Vallecitos, Calif., the domed buildings stood bizarre and unexpected, like monstrous silver derbies tossed away by a giant. Even more bizarre was the scene inside. Over two pools of dark green water hovered a pair of white-clad men, intently fishing into the depths with a long grappling pole. Directed by a loudspeaker, they dipped again and again, snaring silver-colored bars of uranium 235 from the bottom of one pool and guiding them gently into the other. As they did, a gauge of amber-colored numbers shot up and up. Near by, another figure...
...Felsenstein Protégé Joachim Herz but supervised by the boss himself, stressed naturalistic stage effects, an infinite concern for dramatic detail, and acting of startling realism. The curtain rose on an iron grille stretched across the proscenium, representing the palace gate separating the chorus of rag-clad Chinese from the palace courtyard, where one of Turandot's unsuccessful suitors was about to be executed. The mob faced the audience in silence for several seconds, hissed in hypnotic fascination at their gruesome vision. Only then did the music begin. Throughout, the stage blazed with barbaric lights and colors...