Word: clad
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Dates: during 1970-1979
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That contented-looking fellow is Actor Burt Reynolds, starring as a backwoods Southern moonshiner in a new film titled Gator. The half-clad lady bending backward to please him is Actress-Model Lauren Hutton, playing an investigative reporter who falls into Burt's clutches. The movie, which is due for release next year, gives Reynolds his first chance to direct, and Co-Star Hutton, at least, says he did all right. "He was able to accept ideas from the actors; he even accepted some of mine," she reports. And what about that love scene, Lauren? "I kept asking...
...seek social solutions. Tanzanian Bishop Christopher Mwoleka, a black and a Catholic, sees a solution and basic Christian value in the ujamaa cooperative villages. A member of the Nyabihanga ujamaa village in his diocese, Bishop Mwoleka spends two weeks of each month at work in the fields, barefoot and clad in tattered shirt and dungarees. He argues that the cooperative way "is a practical way to imitate the life of the Trinity, a life of sharing...
...fair-haired Eileen, Goldenberg is sweet without being cloying. Clad in dainty, full-skirted dresses that contrast with her sister's more careerish two-piece outfits, she sings in a lilting soprano and radiates a natural charm that prevents her from being too far overshadowed by Terry's necessarily more pungent characterization of Ruth...
...their final practice on Soldier's Field yesterday, the Crimson's psyche approached feverish pitch. Clad in cleats and double-knits, they enthusiastically scanned play formations freshly xeroxed by Professor Graham Allison, author...
Three sweat-suit-clad prisoners invoke their fate and will with caresses, sudden scraps and the dancing-out of a killing. These toughs have a strangely romantic side; they tell about wanting to change into a rose after stealing or about being distracted from the tell-tale blood of a murder by lilacs. The rhythm of splayed hands and bare feet tapping, heads jerking and manacles dragging accompanies the actors' monologues and replaces visible props. The tension is overemphasized, but real. Presented by the Cambridge Ensemble, 1151 Massachusetts Ave., November...