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Word: clad (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...less operatic scale, however, he is convincing. Perhaps the best work in the show is Pressure, 1982-83: the white face of a worried, singlet-clad mime in the lower half and, above it, the cold, oppressive ziggurat of an art deco-style New York building. The film noir dramatics of Longo's work are tuned down, and a subtler pathos comes through, the surprise being that Longo was able to extract it from such obvious cliches as the Urban Clown and the Faceless Skyscraper...

Author: /time Magazine | Title: Art: Three from the Image Machine | 3/14/1983 | See Source »

...superb. When the lights come up on Kevin-Anthony Close and Monica Dorten, perched on stools in one corner of a vast blue stage that projects out into the audience like a table, the two actors seem like lambs ready to be sacrificed. But they pull it off. Clad in overstaffed purple tunics, cousins to the Fruit of the Loom grapes, they whisper hilarious jibberish to each other at the approach of a hungry fox, then break out into a scornful jive patois when the fox can't leap far enough to pluck them from their vise. Close and Dotten...

Author: By Kathleen I. Kouril, | Title: More Sugar Needed | 3/7/1983 | See Source »

...coach behind them, humanity rides (or anyway a curious cross section of it). The passengers include weary, white-clad Casanova (Marcello Mastroianni), who now spends his time fending off women rather than seducing them; Tom Paine (Harvey Keitel), pamphleteer of the American rebellion; and the journalist Restif de la Bretonne (Jean-Louis Barrault), to name just the historical personages aboard. Among the fictional creations are a lady-in-waiting to the Queen (Hanna Schygulla), Her Majesty's snippy homosexual hairdresser, a widow in need of consolation, a judge, an arms manufacturer and an aging opera singer heading...

Author: /time Magazine | Title: Cinema: Road Picture | 3/7/1983 | See Source »

...looks are no coincidence but rather part of an elaborate send, up of what Australians love to hate-the British and the Americans. Jackie's heartless, penny-pinching pub-tending mother (Margo Lee) is a dead ringer for Margaret Thatcher. Clad in a garish polyester pants suit, she layers on the lipstick and tells Jackie, "Why don't you stop wearing those ridiculous clothes, you can't change who you are." American politicians fare no better in Armstrong's vision. One of the film's best moments features a maniacal sound booth engineer presiding over a chaotic television...

Author: By Kathleen I. Kouril, | Title: Punk Fluff With Spikes | 3/4/1983 | See Source »

...weeks residents of the Mediterranean port of Nice have been enjoying striptease by billboard. It began last month, when large signs appeared displaying a bikini-clad blond against the Backdrop of the resort's famed beachfront. She pledged in large letters to TAKE IT OFF, and indeed in the next installment her top was gone. When, in the billboard's third version, the bathing beauty finally showed up in the altogether, the accompanying slogan read: AS PROMISED AFTER 21 MONTHS OF SOCIALISM, I'VE GOT NOTHING LEFT...

Author: /time Magazine | Title: Local Affair | 2/28/1983 | See Source »

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