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Matthew I. Bohrer ’10 was excellent in the role of the Almighty. Appropriately clad in a brown sweater and khakis, Bohrer portrayed a loving but firm father figure with a paternal dignity worthy of Mr. Rogers himself. As Adam, Shafrin imbued his character with a careful balance between filial piety towards God and his own authority as the father of Cain and Abel...
...astounded by what he sees - something of a finals crunch among his famo-seekers. Having failed at "legitimate fame," he says, many students are desperate for anything to generate traffic and get a last-minute bump to influence their grades. One popular tactic: posting short videos of scantily-clad women, all bearing suggestive titles...
...perspective on ballet. Electronic contemporary music, namely DJ Alexandre’s “Toma Toma,” inspired an unconventional blend of ballet and break dancing. The combination was ideal for Shee, who stood out as the only male in the show. The eight female dancers, clad in disheveled, sequined tutus of varying lengths and colors gave a performance that matched Shee’s, filled with dramatic leaps and exhilarating drops to the floor...
...middle school, Woo already knew she wanted a quality education. She won a scholarship to Phillips Exeter Academy in eighth grade and attended the boarding school until her junior year, when the stress of finding her place in a wealthy world—a K-Mart brand-clad teenager bobbing in a sea of students in J-Crew and Northface—led her to drugs...
...seemed to transcend the boundary between life and death, perhaps returning to Earth after a period in Elysium. Jodi Leigh Allen, who will teach jazz classes next semester at the Harvard Dance Center, choreographed and costumed “B-Side,” another standout premiere. Dancers clad in black moved against a fiery red background to the artificial sounds of a synthesizer to produce a striking effect. The rigid movements of the men contrasted powerfully and sensually with the women’s grace. The ballet “Emeralds,” staged by Heather Watts, featured...