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Slowly they emerged from their sanctuaries deep in the African bush. Some were barefoot local fighters, clad in ragged shirts and frayed pants, clutching worn, dusty AK-47 machine guns. Others were elite commandos, wearing crisp camouflage fatigues, polished combat boots and leather holsters, bandoleers of machine-gun bullets slung over their shoulders. A few even sported gleaming Soviet medals on their breast. Startled whites stared in anxious silence or menacingly shook their fists as they passed by. But in the villages and urban townships, thousands of Rhodesian blacks gleefully hailed their return with an exultant chant: "Zimbabwe, we love...

Author: /time Magazine | Title: ZIMBABWE RHODESIA: Zimbabwe, We Love You | 1/14/1980 | See Source »

...Iron-Clad Agreement...

Author: By William E. Mckibben, | Title: City High School To Reopen Today | 1/14/1980 | See Source »

Students and teachers at the conference made "an iron-clad agreement" not to talk about the proceedings, superintendent William Lannon said yesterday, but the meeting did vote to release a series of "recommendations" for the school...

Author: By William E. Mckibben, | Title: City High School To Reopen Today | 1/14/1980 | See Source »

...large extent the transformation has been wrought by Sotheby's, the world's largest, canniest and most aggressive house. In the late '50s Sotheby's introduced such techniques as international telephone hookups, bidding by closed-circuit TV, the gala evening sale crammed with formally clad celebrities, assiduous ballyhoo and greatly increased sale schedules. More recently, Sotheby's pushed its mass-marketing strategy even further by signing an agreement with Tokyo's Seibu Department Stores Ltd., which brings the Western fine arts auction market into retail stores and enables Japanese buyers to place bids...

Author: /time Magazine | Title: Going... Going... Gone! | 12/31/1979 | See Source »

...canvases by Dante Gabriel Rossetti, Bouguereau and Burne-Jones, is constantly expanding his collection, which is already far too large to display in his cavernous two-story bachelor apartment off Manhattan's Central Park. He concedes that his paintings of diabolic winged creatures, furiously driven chariots and diaphanously clad maidens are basically "decor," adding: "You are not supposed to look at the paintings, they look "at you. The art puts out the energy." Anything that produces energy these days should be profitable, of course, and Pivar's collection is no exception. "Since I started to collect," he says...

Author: /time Magazine | Title: Living: The Collectors: Three Vignettes | 12/31/1979 | See Source »

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